Oh, hey, Maybe-Summer speaks again. I kind of hope that isn’t actually Summer, just because it would be hilarious to me that someone who sort of looks like Summer has had more lines in two days than actual Summer has had in probably five years.
And look, it’s Maddie! Or possibly a random redhead, who knows. What’s funny is that she’s at this wedding but apparently doesn’t know the couple was in the military, which is one of the two character traits they have anymore.
I’m also not sure what the two figures in the first panel are for, since they sure don’t seem to be favors. The little green army men are at each setting and seem to be the favors. It looks more like a centerpiece or cake topper, which makes it extra funny, to me at least, that both of the figures are apparently male. There are female G.I. Joes, after all. It maybe would’ve been nice to have one of them be used, since the bride served in the army and all. Heck, he could’ve had Rocky talk about how she was inspired as a child by one of the female G.I. Joes. But that would’ve taken a little more effort than apparently Rocky’s character is worth.
Tag: Summer
Unification Disgrace
Oh yay, comic books, it’s been so long since they’ve been mentioned in this strip that I really missed it. And of course Rocky is a massive comic nerd, since that’s the other personality trait she has other than “was in the army”. If someone told Batiuk he had to write a character, story or even just a strip or just a single wedding that didn’t have anything to do with comics, I’m pretty sure you’d hear the sound of several fuses in his head blow and smoke would start pouring out his ears, because I do not think he’s capable of even considering that anymore.
I just Googled “‘unification display’+wedding” because I’d never heard of them before and wondered if this was something common that I just hadn’t heard of, but I really don’t think so. It only returned three results and none are remotely like what’s being portrayed here. Even less restrictive searches returned nothing close, so I really don’t think this is a thing. What I think happened is Batiuk thought it was hilarious/touching to have two people merge their comic collections and made up the concept of a “unification display” because I guess he couldn’t just have someone point and say “hey look, they combined their comic books!”. (And have them sitting out in the open in the sun where anyone can swipe one).
Is that supposed to be Summer on the right? I can’t really imagine who else it would be, even though it doesn’t look at all like Summer, and she’s not wearing a hoodie.
This is also yet another example of Batiuk’s need to have an extra line after the “punchline” of the strip. Nothing is added by having maybe-Summer tell us it’s cool and sweet. It’s like Batiuk doesn’t think the readers will be able to tell how they’re supposed to react to or feel about a joke without literally being told.
Your Ignorance Makes Me Ill and Angry
In any other strip–Peanuts, Calvin and Hobbes, even Mary Worth (prior to its Wilburization)–this would be a sweet moment. Imagine if Linus found out that Peppermint Patty had deliberately thrown a game so that Chuck could have a win. That would be great, and Linus’s response to Patty’s question would be the same as here.
But this isn’t a strip where sweet things happen. Mawkish things, treacly things, things filled with bathos, sure, those happen all the time. But genuine nice moments are as rare as Becky’s mom.
Here, Summer’s sly face in panel three suggests not so much a sentimental secret, but the desire to make Les keep thinking he’s been losing his mind. I kinda like that she has that ambition, honestly.
PS: We know why this entire week is here, right? It was a recent commentor (I can’t remember who, sorry) who pointed out that the nominees for the Academy Awards are going to be announced very soon. Who wants to bet that “Lisa’s Story” will have a few entries? So, a week of Lisa-a-Go-Go. Gotta keep Lisa in the public eye, even if she’s poking that eye with a stick!
The Needs of the Ninny Outweigh the Needs of the Fool
It’s pathetic to call this week’s story a “mystery” because a mystery generally yields important information when solved. Here, Ghost Lisa was portrayed by someone we’ve never seen before and, no doubt, will never see again. And this is called “writing”?
What this episode seems to say is this: Les never filled the bird feeder. This newly minted character did, and continued to do so for (I guess) decades, because oh god, everyone was so affected by Lisa Les’ suffering that they had to do everything in their power to make sure his illusions were catered to.
And–get this–this is supposed to make Les a sympathetic character. One we’re supposed to stand behind and cheer, as he confronts his Lisa-less future alone.
And now that Summer is filling the bird feeder, Purple Hat Lady can finally rest. I’ve done my duty for Les, by God, and finally I can see the sunset. Thank the lord above I was able to help Les Moore cope for these twenty-some years.
Here’s what I think we’re seeing. Mrs. Ewing is actually Lisa, who never died but faked her death to be rid of Les. Les was always so cloying, and so clingy, that she felt she couldn’t breathe–she had to get out. And what would Lisa look like if she’d remained alive? Another fat, doughy blonde. She moved into the house next door just so she could enjoy watching Les moan and agonize over how much he suffers.
Summer wouldn’t recognize her, and Les…he only has eyes for himself.
According to Phil Holt, it’s the easiest thing in the world to fake your own death. All you need is a sympathetic lawyer. And what was Lisa’s profession again?
Children of Eóghain
Today’s episode is about people feeding birds. Uh…
So, notice how in Tuesday’s strip, Ghost Lisa was carefully pulling out handfuls of bird seed? Here, Summer just cuts to the chase and dumps the whole lot in.
I guess this is to contrast Lisa’s more formal methods with the rebellious attitudes of Summer. I guess this is also to fill space in the newspaper.
Um, I like the footprints in the snow. That’s a nice touch. Can I go now?