Yeah, that Hollywood sure is crazy all right. This arc was a perfect example. What a wacky place, like how they changed the cancer screenplay so that Lisa lived, the way they wrote an adopted son into the script, the way they go to restaurants…man, the zaniness is just overwhelming in Hollywood, just totally nutty. No wonder Thelma (who, like Mason, only gets to have a personality at the END of the story) is seeing an imaginary cat that Les talks to when he’s agonizing over writing about his dead wife. Very clever, Author Guy, very clever.
And all this time it’s been that damned cat that’s made Les the single most objectionable character in the history of ever. I see. Perhaps Batom needs to slow down with the seasonal craft beers until AFTER he finishes one of these mega-long arcs. What’s another ten minutes, right?
But seriously, if this is indeed the end of the epically annoying screenplay arc, talk about ending with a resounding thud. You can almost hear the sad trombone after panel three….”whaaaa-waaaa”. TB’s the master of the anticlimax, it’s like he wants to just get it over with as much as his readers do. What a dreary display.