So, apparently when Harry was a teenager, any random old guy could just give him change for a dollar and tell him he was him from the future and he’d believe it, no questions asked. I don’t think “Crazy” is the right adjective to describe him.
This really is reminding me of the Dick Tracy storyline, where he got to use a classic comic character and all he did with him was have him carry boxes. Batiuk is such a big sci-fi fan, but when he finally does a time travel story, all he’s done with it so far is a guy going back into the past to play an arcade game with his past self.
Tag: video games
Anamoly, Shmanamoly
I think that Harry has already managed to top the stupidity of abandoning the helmet that allowed him to travel through time. “I wonder if my past self seeing me will collapse the space-time continuum and destroy all life? What the heck, I’ll do it anyway!” I would have really loved if the third panel was just black, and this was a surprise end to the entire strip.
Wow, It’s Montoni’s Again
Harry used to skip school to “play videos” at Montoni’s? It’s possible I’m forgetting something, and Harry watching VHS tapes was a regular thing, but it seems like this is referring to “video games”. I’m not sure if this is a typo or it’s deliberately meant to be shortened like this, but it’s confusing regardless.
I think it speaks to the quality of the storytelling here that the expression “play videos” is what most caught my attention in a time travel story. I do think it says a lot about Harry that his first instinct isn’t to see or talk to his parents or grandparents or other loved ones that aren’t around any more, but just to talk to himself and see Montoni’s.
I really don’t like the third panel. The art is weird to me. I assume it’s going for a dramatic close up, but it’s just kind of strange to me. And the whole “if I meet my past self, will I create a temporal paradox” is a really really tired time travel trope. (And speaking of temporal paradoxes, maybe don’t ramble things out loud to yourself that make it super obvious you’re from the future? Why does Batiuk hate thought balloons so much?) Maybe I’m the only one who feels this way, but it seems like every time Batiuk does a story that could actually be interesting, it does it in the least interesting way possible.
That’s a Strange Way to Tell Me You Love Me…
Um. Okay.
If you really break down what Crazy is saying here, it seems to imply that when he was sixteen he was attracted to an eleven year-old-child he assumed was a boy.
Unfortunate implications aside, all we have here is a restatement of the week’s plot. The only thing of note is that the Sunday colorist managed to depict a redhead character correctly for once.
March of last year Tom let us know this arc was incoming, when he posted the book cover that inspired his Eliminator helmet, and said this:
I saw this book on a spinner rack at the Captain EZ Confectionery a few blocks from our first apartment. Couldn’t resist the cover. Picked it up and later “borrowed” the Hunter helmet for a character I’d just created in Funky called the Eliminator. Said helmet, coinkadinkily enough, will show-up in a Funky story arc next year.
Cover Me 143
posted on MARCH 20, 2021
I want to thank Banana Jr. 6000, none, Charles, Mela, as well as others for providing some background on the arcade game Defender. I didn’t grow up with video games, only picking up the habit during college, so the context was great. I hunted up a few short YouTube vids that cover the development and just how unique and challenging the game is.
Today is the last day of my shift. It has been a real treat celebrating 50 years of Funky Winkerbean by going back in time to see what a 25-year-old Tom Batiuk was capable of. Thanks everyone who enjoyed it with me!
But what did I really think of the first four years of Funky Winkerbean?
It was alright.
Not usually laugh out loud funny, certainly capable of being bad, but amusing enough. Certainly not out of place squeezed between Hagar the Horrible and Wizard of Id.
But I easily found strips where the seeds of what would grow into Batiuk’s thorniest issues were germinating.
And, as I’ve said before, I think we’re sometimes too hard on modern Batiuk during those occasions when he dips his toes back into gag-a-day humor. It might not be as good as his best was back then. But his best now is as good as his average was.
There were a couple strips I stumbled across that made me cringe or shudder, knowing where the strip would eventually go.
But despite all that, there were strips that had me genuinely laughing out loud. So here they are, my favorite strips from the first few years of Funky Winkerbean.
So that’s it for me this round! The esteemed SpacemanSpiff85 will be taking over the ship tomorrow, asking the hard hitting questions.
Like, when is the strip ending? Will Wally Jr. ever return? Will Mindy and Mopey ever marry? Will Summer ever graduate Kent State? We’ve reached 50 years and we’re still chugging along. Maybe someday, we’ll know, but it doesn’t look like it’ll be this year.
Comic Book Harriet, signing off.
Relics of the Past
(It’s a long one today folks. Sorry ’bout that.)
Link to another dumb question from Maddie that I can’t believe she’s never asked her mom before. And how has Maddie not seen the picture at Montoni’s? She worked there.
Who doesn’t at least know the very basics of how their parents met? Heck, I referenced my own parents’ story of sneaking out to the county fair behind my grandma’s back in the very first post of my shift. I will admit, sometimes I pretend like I haven’t heard a story, just so I can hear it again; but that doesn’t seem to be the case here.
And, as many of you have commented, this story has more holes than Swiss Cheese. The real backstory here is that in 2001 or 2002 Batiuk realized that he had married off Les to Lisa and Funky to Cindy and wondered who he should set Crazy Harry up with. He then had the idea to reveal that The Eliminator kid was a girl all along, and have her and Crazy fall in love. Not the worst idea, really. Done right it could have been a cute reference to ‘Samus is a girl!’. The problem was in the execution.
In Metroid, Samus isn’t ‘hiding’ her gender because the Mother Brain is sexist and won’t fight a woman. She’s just in an androgynous space suit for most of the game. Players might assume she’s male, but it’s not confirmed either way until the end.
I haven’t read all the old The Eliminator strips; I don’t know how often she self-refers as male. So I don’t know how feasible it would be to present Donna’s past actions as allowing the people around her to think she was a boy because she didn’t care to clarify, or because she thought it was funny. (“I was named for your Grandpa Donald. My mom always called me that when she was angry.”)
But the only other way to salvage this would be writing a more serious story about Donna as an insecure little girl who thought she needed to disguise herself coming to the realization as an adult that she was wrong. Because she didn’t need to. Period. Mary Ellen, and Livinia, and Junebug, and even Wanda have proved that handily almost a decade before The Eliminator is introduced.
Batiuk is repeatedly guilty of recontextualizing his own past to suit the narrative of the now. I found some old puff piece newspaper articles that just plain don’t make sense after reading the first few years of Funky Winkerbean.
To Batiuk, delving back into the high school years with the gay prom issue underscores the generational changes and contemporary challenges his characters faced once he decided to let them begin aging along with Batiuk and the rest of us.
“I had crossed the threshold and I had grown up and the characters wanted to grow up too, it seemed like,” Batiuk said in an interview in his cozy and bright studio jammed with books and mementos.
“Funky Winkerbean” might have a lower profile in mainstream culture than, say, “Doonesbury,” possibly because “Funky” was a gag cartoon in the early years when society was highly politicized in the Vietnam era and has become more issue-oriented since the 1990s…
The San Diego Union-Tribune
Thomas J. Sheeran, AP
May 29, 2012
When he began “Funky Winkerbean” on March 27, 1972, Batiuk was a 25-year-old cartoonist who seemed to be purposely unaware of the furor then affecting American society. The Vietnam War was still a focus of the nation’s rage, Watergate was just beginning to heat up and all the rest of the post-‘60s-era concerns – sexism, racism, the Cold War, social-welfare programs – hogged the daily headlines.
In the midst of this, Batiuk’s strip existed as if in another dimension. His characters were mostly students whose main interests involved air-guitar contests, flaming-baton routines, bullies roaming the hallways, student popularity polls and how to survive the daily humiliations of gym class.
The Spokesman-Review
Dan Webster
July 20,1997
In the 90’s and beyond, Batiuk wanted to pretend he hadn’t been talking about ‘serious issues’ in Act I, because he wanted attention for talking about them now.
The first years of Funky Winkerbean didn’t exist in a ‘different dimension.’ They were more contemporary than the modern strip has been in years.
VIETNAM
WATERGATE
THE BICENTENNIAL
PLANE HIJACKINGS
LABOR STRIKES
SUGAR PRICE SPIKE OF 1974.
Some of these events were very much ‘of their time.’ For someone like me, born after this era, reading through is a fun little history lesson. Like when I was a kid, learning about the 80’s by reading Dave Barry’s Greatest Hits and watching old VHS of Saturday Night Live.
But other ‘current events’ only serve to prove that time is a flat circle, and the more things change…the more they stay the same.
Son of Stuck Funky 
