Analysis Of A Proposal: One Woman’s Struggle To Get Married, Set Against The Backdrop Of The Suddenly-Dying Comic Books Industry

starring Florence Henderson.

In all seriousness, today’s Crankshaft floored me. Again, we’re not going to make this a Crankshaft blog, but this is a big enough development to talk about.

Here was my initial reaction:

I absolutely didn’t expect this. What does it say about the Funkyverse that starting a story with a plot point, and then actually resolving that plot point, is a shocking outcome?

And honestly, it’s kind of sweet. I have to give Pete credit for an elegant and well-executed proposal. Sure beats Eugene’s “check yes or no” snail mail proposal to Lucy, John Howard’s awkwardness, and that “in the main” word salad Les spewed at Cayla. Mindy’s “I must be crazy” reaction was also sweet. She is crazy, and not for the reasons she thinks, but she finally got what she wanted. For one day, I’m rooting for this couple. They’ll probably destroy that tomorrow morning, though.

Because I think these are the first shots of the Funky Winkervasion. The annexation of Crankshaft by Funky Winkerbean has been building for awhile, but this arc is the declaration of war. Mason Jarre showing up to buy the Valentine theater, as forced as it was, at least had some connections to long-running events in Centerville. Montoni’s wasn’t even relevant in its own strip; its closure was trivial. But here it is, being brought back to life, presumably so it can become the new social hub of Crankshaft – which is set in a town some distance away. That’s not how small-town social hubs work.

Will tomorrow’s strip be more sweetness and light, or is it straight back to Pete’s nonsense plan to revive a dead restaurant with this dollar-store corporate mascot? Or worse, discussions of how they’re going to merge their comic books?

I want to hear what you all think about this, so I hope you’ll weigh in in the comments.

(Winker)Bean’s End

RudimentaryLathe?
December 27, 2022 at 10:48 pm
Of course, he has to end this with one last shill for “Lisa’s Story.” That is 100% on brand.

The last Funky Winkerbean comic.

Back at their futuristic pad, Summer’s daughter (whose name we are destined never to know) admonishes her “sweetie” that it’s bedtime. Again, how old is this kid, that she needs to be told it’s time for bed? I’m thinking about ComicBookHarriet’s comment the other day about how “John Byrne, famously, struggled with drawing children.” Something else Byrne struggles with today is making Summer’s daughter appear feminine. Look at that man-face in panel 2. Jhayzus. Has Byrne inscribed some secret, hidden text in those weird, script-y eyebrows? Continue reading “(Winker)Bean’s End”

Abyssinia, Batty

today

And then came the last days of December. I’m really going to miss this. As most of you probably already know, we’re going to keep SoSF alive on some sort of limited basis (at least for now), and we have a world-class, outrageously obsessive MAJOR EVENT coming up in early 2023 that might rate as the greatest thing in SoSF history (I don’t want to oversell it here, no pressure, but it’s gonna be BIG), but the days of hilarious, scathing and insightful daily FW content are over for me. Within a few months, words and phrases like “pinned-up sleeve”, “band box”, “green pitcher”, “Boy Lisa”, and “Dick Facey” will disappear from my lexicon, and I’ll be poorer for it. 10:30PM eastern time will never be the same. Continue reading “Abyssinia, Batty”

Lisa’s “Lisa’s Story” Story

Who the hell names their kid “Story”? Oh…Lisa’s granddaughter is named “Lisa.” How many birthdays is this for her, anyway? Her height, relative to her mother’s, and her Judy Jetson attire suggest she’s a teen, but her reaction to seeing “her” name of the spine of the book is so childlike. Continue reading “Lisa’s “Lisa’s Story” Story”

Nanna, Na Na Nanna, Hey Hey Hey, Good Riddance

today

“Wait, what’s that other book next to it?”

“Oh, that old thing? That’s just “Lisa’s Story”, the culmination of the life’s work of Tom Batiuk, the greatest writer of his generation.”

“Tom Batiuk? Oh yeah, we learned about him in ancient history class. He created such iconic characters as Ed Crankshaft, Phil Holt, and Adeela the Architect, right?”

“That’s right, dear! “Lisa’s Story” was the greatest love story ever told, and once you read it, your perception of what a comic strip can be will be forever changed.”

“Really? Because I always thought comic strips were supposed to be funny.” Continue reading “Nanna, Na Na Nanna, Hey Hey Hey, Good Riddance”