Tag Archives: Yiddish

Herstory of Herassment.

Link to today’s strip

Stuckfunkian commenter Scott Lovrine guessed last week that Ruby Lith may be based on Ramona Fradon, who worked on Aquaman and Metamorpho. The visual resemblance is very strong both in the past and currently. But from my research Ramona didn’t time in ‘the bullpen.’

I believe that Marie Severin and I were the only women drawing superheroes at the time [50’s]. It’s funny that she was drawing Sub-Mariner while I was drawing Aquaman. People always used to ask me if I knew her, but I didn’t meet her until years later, at a convention. I didn’t work in a bullpen like Marie did so, aside from being uncomfortable with male fantasies and the violent subject matter. I never really experienced what it was like being the only woman working in a man’s world.

Marie, who did work in an office with men, talked more about feeling slightly isolated or left out rather than harassed. The only story I could find her recounting was a male college blowing on the back of her neck.

In that case, comics have always been a rather male dominated field, and you, like Ramona [Fradon] are one of the two reigning queens. How many other women were there at Marvel at the time doing art, and did you ever have any problems with “the Bullpen” or anything like that?

MS: Not really, the guys, they say that women gossip, well networking is male gossip, and they “networked” all the time. But, just like we wouldn’t want a guy when we were sitting around talking about somebody’s shoes, or a certain eyeliner, they weren’t interested in having a woman around, and sure, I’d have lunch with them once in a while, but the conversations were always male; it was just normal. So, you’re sort of out of it. I didn’t have any real problems.

But that brings us to Lily Renee. If Batiuk wants to claim that Ruby Lith is based on any one woman, Lily Renee is the option that closest fits his ‘narrative’. And she also has a physical resemblance.

Lily Renee worked in the 40’s as a penciler and inker for Fiction House. She was Jewish, from Vienna, and had immigrated alone, at the age of 14, first to England then the United States to escape the Nazis. When her parents joined her a couple years later she took up a job in comics to help support her family. The men in the office teased her, tried to teach her dirty words in English, and drew nudes in the margins of the work she was supposed to ink. But she wasn’t the only woman working in the office. There were many women working for Fiction House at the time, and she was on good terms with most of them. She would regularly go out for lunch with Fran Hopper, and at one point, she lived with artist Ruth Atkinson for about a year.

Unlike Batiuk’s fantasy Ruby Lith though, Lily just did it for the money, and after leaving the comics industry in 1949, went to work on other things; illustrating children’s books, writing plays, and working in fashion.

So, big surprise, sometimes it was uncomfortable being a woman in a office predominated by men. Sometimes the women were ‘left out’, sometimes the women were teased. Sometimes it led to much drama that weren’t black-and-white cases of sexual harassment. The inker Violet Barclay, by her own admission, flirted with men in the office leading to acrimonious feelings and love triangles.

Barclay’s complicated relationship with benefactor Mike Sekowsky — who bestowed expensive gifts on her even after his marriage to Joanne Latta — caused friction in the Timely bullpen, which she left in 1949. As she later described the office environment,

“Mike was a very good human being. Everybody at Timely liked Mike. Nobody like me because they thought I was doing a number on him. Which was true. World War II was on and there were no men around, so I just killed time with him. Everybody, Dave Gantz especially, picked up on that. … [Mike] once tried to get me fired over my fling with [Timely artist] George Klein. Mike went to Stan Lee and said, ‘Stan, I want her fired, and if she doesn’t get fired, I’m going to quit’. Well, you couldn’t ever tell Stan Lee what to do. Stan said, ‘Well, Mike, it’s been nice knowing you’.”

Not all sexual harassers got off scott free either. Toni Blum, who worked for Quality Comics in the 40’s, was treated respectfully there except for an incident between two male artists, wherein one punched another in the face. As historian Denis Kitchen wrote, “[George] Tuska, like [Will] Eisner, had a crush on office mate Toni Blum but was too shy to make his move. The actual provocation that inflamed Tuska, Eisner privately said, was [Bob] Powell’s loud assertion that he ‘could f**k [Toni Blum] anytime’ he wanted. After decking Powell, Tuska stood over his prostrate coworker and in a voice Eisner described as Lon Chaney Jr. in Of Mice and Men said, ‘You shouldn’t ought to have said that, Bob.'”


Filed under Son of Stuck Funky

Oy Vey! Vetik in di Tuchus!

Link to today’s strip

Ruby, your Yiddish is showing. I don’t know if Batiuk is using the word tuchus to tell us that Ruby is Jewish, or just from New York. I’d give him some minor props if its the former since Jews had an proportionally outsized influence on early comics. For more information see great books like Disguised as Clark Kent: Jews, Comics, and the Creation of the Superhero and Up, Up, and Oy Vey! How Jewish History, Culture, and Values Shaped The Comic Book Superhero.

But then again Yiddishisms have migrated their way into the common national slang, especially in New York. For more research on that read The Joys of Yiddish. Either way, one word has hinted at more character and backstory than Mindy has gotten in decades of serving as a prop to display Crankshaft on.

Now that the Amazon deep dive is over, what the frag does Ruby mean by ‘as a woman’? I seriously hope that Batiuk intends to delve into this further with specific examples of how her gender made things more difficult. Otherwise this phrase is empty and meaningless. Because comic creating has always been a pain in the ass, regardless of gender, both in reality and in the reality of this strip.

Batiuk has drawn from the well of comic creators’ misery many, many, many, many times. We had Pete raked over the coals for writing ‘The Amazing Mr. Sponge’ while Lord of the Late loomed over him, and the comic company made demands for a ‘Clone Saga’. We had all those implied-to-be-canon musings by Darin and Pete over how hard it was to be in the Batom pool ‘back in the day’. If either of those situations could have been made appreciably worse by a bra, I’d like to see it. Sure the bosses could have been sexist, but we’ve already seen that they’re willing to bully, demean, and steal the ideas of males.

It’s not that much worse if someone treats you with the same callous regard as the men, but with the addendum that they’re doing it because you’re a woman. That’s not sexism, that’s a sexist who treats everyone like crap.


Filed under Son of Stuck Funky