Knox Landing

Mitchell Knox will obviously want the picture of John Darling, Jessica’s father who was murdered.

erdmann

Maybe Mitchell Knox will make some outrageous bid on the John Darling photo that will be enough to bail Montoni’s out of whatever supposed financial straits they’re experiencing.

bobanero

I wonder whose photo they’re removing to make room for Summer’s. John Darling’s? Somebody call Mitchell Knox!

be ware of eve hill

Winners, please come to the pay window!

A lot of you predicted this development, and today we get it as the “memorabilia auction” starts. This is the kind of detail Funky Winkerbean never gets wrong. Characters fluctuate between being dead and alive, and their surnames randomly change. But it would never forget the memorabilia preferences of a comic book artist!

Beyond that, this scene raises so many questions. What’s in all those boxes? It looks like framed pictures and rolled-up posters. Is Funky selling memorabilia that wasn’t even good enough to put on the walls? “Now up for sale, this historically relevant artifact we took off our history wall to make room for a third picture of Tony Montoni. The bidding starts at $10,000.”

How – and why – did Montoni’s con Lillian out of her tiffany lamp? That anecdote has more story potential than anything we’ve seen all week.

Where are any of the regulars? Where’s Les, who wanted to buy the sign? Where Summer, who’s supposed to be recording all this history before it’s lost forever? Where’s Crazy Harry, who spent so much time at Montoni’s he forgot to do his job?

Is “Ferris Wheeler” the best punny name Tom Batiuk can come up with anymore? He doesn’t sound like an auctioneer, he sounds like a carnie played by Matthew Broderick. At least “Amicus Brief” got his profession right. And when I’m holding up Amicus Brief as an example of how Funky Winkerbean used to do something better, there’s a real problem.

I feel like I’m watching Funky Winkerbean deteriorate in real time. It can’t even be bothered to follow up its own self-serving story points, which it just introduced last week. Did Tom Batiuk forget he has to make Summer famous? Or does he think he did enough already?

The strip’s laziness, lack of focus, and emphasis on all the wrong things, are getting worse.

Eliminated

Today’s strip

The Eliminator, who has been presented all week as an important figure in Westview’s history, walks through the front door. Funky proudly tells Summer “but here comes the person you really need to talk to! A man!”

This is like when Ruby Lith was elected to the Comic-Con Hall of Fame, and the strip replaced her with Phil Holt in the middle of her own press conference. Tom Batiuk thinks he’s an advocate for women with his showy, award-grubbing, phony empowerment stories. But Funky Winkerbean‘s day-to-day treatment of women is very different.

Donna’s sarcastic expression is perfect. “Oh, don’t mind me, I’m nobody important. I’ll just turn my head to look at my own pictures on that ‘history wall’ you’re studying. Which I earned at age 12. You want a real insight into Westview’s ‘social dynamics’? Ask me why I hid my gender from these people.”

That’s it. I’ve got nothing else to say. Today’s strip speaks for itself.

Get The Funk Out

Today’s strip.

If comic strips can have clip shows. I guess they can have voice overs, too.

No characters are visible today, as (presumably) Funky rambles about how great Montoni’s history wall is. It’s the same irrelevant junk we saw Sunday, except that Mason Jarre is up there now. It’s not even drawn with much more detail.

And it feels out of order in the narrative. Summer has spent the last two days interviewing Tony about Montoni’s history, so she doesn’t need to be convinced Montoni’s has a lot of history she should investigate. Was this supposed to be Monday’s strip?

It even has another rewriting of its own history, calling John Darling a “TV celeb.” Oh, come on! The man’s dying words were a lament that he never got to become a celebrity:

On top of that, we saw John Darling being equated with these ancient fossils barely a month ago.

“Much of Westview’s history has passed through Montoni’s doors.” Yes, it’s amazing that prominent people in a small town have eaten in the town’s only restaurant. Sheesh. Get over yourself.

Four Weddings And A Funeral

Today’s strip inspired me to add “backpfeifengesicht” as a tag. The more obnoxious, unfunny, and useless Funky is being, the more proud of himself he is. Look at that gigantic wide-mouth smirk. You could open a Coke bottle on it.

“Westview history” has already turned into “Montoni’s history,” and is now turning into “Funky’s boring life story.” I realize that main characters will be disproportionately represented in a flashback arc like this. But could the strip pretend anyone else exists in this town?

If Montoni’s is a suitable venue for wedding events (and yes, that’s a big if) then it should have hosted dozens of marriages over 50+ years, not just the owner and his friends. Also, Montoni’s was a restaurant long before Funky ran it. Why are there no photos of weddings, receptions, or anything else from that era?

I guess catering doesn’t warrant mention in the history books, since Funky doesn’t mention Cory and Rocky’s recent ceremony. Or the time Montoni’s poisoned an entire wedding party. (hat tip: Comic Book Harriet.)

At least this is a little bit of a flashback. From left to right, I think that’s Jff and Pmm; Funky and his first wife Cindy; Becky and… who is that? That man is way too dashing and blond to be John Howard. Was Becky also previously married? I honestly don’t remember. And of course we have Les and Lisa and their forced, copyright-infringing Funderoos wedding.

The most interesting thing here is the facial hair on the man in the light blue shirt. Who in the Funkyverse had a Van Dyke beard and a Wade Boggs moustache?

For the second day in a row, Funky is telling Summer things about her own family history she should already know. And she’s apparently surprised to learn them.

His Story, Not Her Story

Blah blah blah.

I’d like to revisit Sunday’s strip, because there was a relevant bit of dialog:

She asked about the history of Westview, and he’s giving her the history of Montoni’s. These are not the same thing, even though the strip acts like they are.

It’s also not clear what narrative purpose this is supposed to serve. This week should be the comic strip equivalent of a clip show, where Summer’s “book research” is a framing device to setup a walkthrough of old stories. But it’s not even giving us that. It’s telling us trivia about old stories it assumes we already know, and doesn’t advance the current story of Summer writing her book. How do you get a clip show wrong? Funky Winkerbean found a way.

It almost feels like Summer is trolling here. Look at that big smirk as she dutifully writes down this useless information… about her own life. How does Summer not already know this story? Especially when there is a book series, a major motion picture, and a one-man fanatical cult devoted to her mother’s life.