Except for his outburst of mock anger yesterday, the usually cantankerous Phil Holt has been positively gleeful about rebooting his comics career. What ever became of the one-man “hostile work environment,” who walked off the job in a fit of resentment, regarded his own work as “just junk“, and had to pay the bills working as a caricaturist at kiddie parties? All it took was a little affirmation of the meaning his work had for others. The hard feelings he engendered in his partner, and the hardship he spitefully caused himself, are forgotten, and he’s ready to return to “working in a bullpen”.
What’s also forgotten in today’s strip is that “the batty Batom bullpen” never existed, at least not as a rollicking, “fun” filled, shared workspace. From April, 2018:
Turns out that Batom Comics pioneered the “work from home” concept that has, since last year, become more commonplace. A fact that Chester, having more money than brains, discovered only after he bought the entire building in pursuit of fulfilling his Silver Age fantasies. “Emphasis on the ‘bull'” indeed.
It’s possible I’m forgetting this, but I thought Atomik Komix published things like Amazing Mr. Sponge? Didn’t Chester buy the rights to the old Batom titles and is making new comics of them? So therefore they’re not creator owned at all? It’s possible I’m confusing this, but I thought that’s how it was.
I like that apparently Ruby literally had to give up her seat to Phil. She’s being honored for her career achievements, but a random guy shows up and steals her thunder and her chair. This is extremely on-brand for Batiuk.
Oh, and Phil hated his career, and producing comics is misery. What else is new.
Wow, so Flash and Ruby are actually headlining a panel? When they found out they were going into the hall of fame like what, two days ago, max? It’s a very good think Pete or Mindy or whoever it was (I forget and refuse to check) told them they won and didn’t just forget, or this would have been one awkward panel.
I’m pretty sure the speaker is supposed to be modelled after a real person. Of course they’re not depicted at all in a flattering way, but what else would you expect?
Oh, and now Ruby is a living legend, even though someone who is such a big fan of her work that he is wearing a t-shirt of it to Comic-Con didn’t recognize her at all. Okay then.
Okay, so Ruby drew 45 issues of a comic book. (I can’t be the only one tired of fictional characters bragging about writing fictional comics, can I?) That doesn’t really answer the question of why the other five people with her get to cut in line, too.
When you’re reading something totally fictional, coincidences aren’t really that remarkable. Like, if these were real people and this was something that really happened, then it might be amusing if someone criticized the creator of a character on their t-shirt. But given that Batiuk can write whatever he wants, this really isn’t funny or interesting, at least to me.
I wonder if Batiuk has tried this at conventions he’s spoken at. I’m pretty sure it would have to be all in his imagination though, since I really doubt someone would be wearing a Funky Winkerbean shirt anywhere.
May 24, 2021 at 11:48 am
There are few things in the world I’m less interested in than Tom Batiuk writing about the plight of women in the comics industry sixty or more years ago.
As a member of our very own “bullpen” here at SoSF, spacemanspiff85 knows not just the pain of reading Funky. Winkerbean. Every. Damn. Day. Periodically, Spiff is called upon to write something interesting about it to share with the rest of us. For two weeks, after which another SoSF guide host/guest author takes over. We limit our authors to two-week stints for the sake of their psychological well-being. Were that not the rule, I’d turn the helm back over to Comic Book Harriet, whose bailiwick these “Women in Comics” arcs have become. SoSF trauma protocol dictates that CBH must rest on the sidelines (while killing it as always in the comments), and it falls to me to get us through this arc.
As a male, I must tread lightly, but here goes: editor “Stogie” Butz’ “pretty good for a girl” remark barely qualifies as a microagression, given the times. Whatever midcentury decade Batiuk’s trying to recreate here (and it could be anywhere from the 1940’s through 60’s), calling a woman “girl” in the workplace wouldn’t be automatically out of line. He’s just busting her…chops, as would any cigar chomping, no-neck cranky boss.
February 21, 2020 at 2:13 pm
…I FINALLY FIGURED IT OUT!! Chester the Molester is supposed to be Bruce Wayne, but instead of fighting crime through an alter ego, his mission is to right all of the wrongs of the comics industry while saving the entire genre for posterity singlehanded…
Well that would make at least as much sense as whatever has gone on around here this week! Bought off his conscience? Chester’s really not guilty of anything, aside from being a rich nerd. Unless the guilt he feels is over having built his entire fortune on all those comics he stole from the drugstore as a kid. In which case it’s going to take more than selling off one rare comic–which he owns in triplicate–to truly fix his karma.
I right away had to look up “pantload;” not as a prerequisite for moving it to the Batiuktionary, but because I understood it to be a pejorative. It’s what you might call someone who’s clueless and unpleasant: “Chester’s a real pantload.” Indeed, over at urbandictionary you can find some pretty colorful definitions. More um, sophisticated reference sources, however, support Ruby’s usage: a nicer way to say a “metric shit ton” of a given thing.
Sensing that Ruby isn’t going to be an easy lay after all, Chester resorts to a combination of flattery and bribery. Ruby’s mistrust of the Chiseler is on display again. For him to attempt to ravish her or shake her down for money would be more plausible than him (awkwardly) handing over the Miss American cover art for which he’d paid big bucks.
Maybe Chester recently learned he’s only got a few weeks to live? Why else would the one they called “the Chiseler suddenly acting so generous? If we’re talking about this particular cover, by “rights” it belongs to neither of them: Ruby admitted to having smuggled it out of her old place of work. I guess posession is nine tenths of the law.
Well, this is one crowded cover: the Atomik Komix Krossover that nobody asked for. We see our heroines and a dog fleeing on a motorized trike from a giant mechanized Nazi. The art’s not bad, but the muddy, muted colors and the Photoshop lighting effects don’t exactly make it pop.Like the first Miss American cover we saw back in September, this is not the work of a female artist; it’s by Thom Zahler, another Ohioan (maybe Ohio is a “thriving hotbed of Golden Age comic book activity” after all).