A Big Pick-Me-Up.

Link to Today’s Comic.

Once again stayed up late waiting for Sunday’s strip to drop. Les and Cayla are in LA, getting picked up by the world’s worst Uber. Mason has always been portrayed as a dingbat. I would not feel safe with him behind the wheel of a Hummer/Hearse Hybrid during LA rush hour.

It seems that ‘Comic-Con’ this year was completely summed up in one panel of nerdery last Sunday. The awards show might as well have been a poorly attended wedding reception for all the excitement and industry flavor we got.

I’m pretty flabbergasted by it, really. We did get plenty of tone deaf ‘nerdy’ humor last year, and the year of the great Holly Winkerbean Starbuck Hunt. But the idea that Batiuk would have nothing more to say during a Comic Con, that he’s both out of new ideas and not interested in recycling his old ones, it’s not like him. It’s almost worrying. Lack of interest in activities that you once enjoyed is a classic hallmark of depression. Can someone check on him?

Well it has certainly been an interesting couple weeks at the helm. I interpret this awards quickie as TommyBats realizing that while the IRL ‘Lisa’s Story’ was nominated for a Pulitzer, the ‘in-universe’ book has never been similarly rewarded. The Eisner nomination, but not win, is a way of giving his opus similar accolades both within his world and without.

Beckoning Chasm is up tomorrow, to see us through the sights of LA. If Cayla is impressed with Union Station, wait till she sees the Scientology Building.

Bloop Bloop.

There is less than nothing going on today.

This is like when horrible one note authors attempt to pad out their paychecks by writing the same story again, but gender flipped or from the guy’s perspective this time! We have reached Life and Death or Grey levels of storytelling here people.

So because there is no plot to speak of. I’ll just point out some tidbits I noticed in each panel.

Panel 1.) Boy Lisa’s table seems positioned in the middle of the room, instead of up against a wall, and his overhead light seems to be behind his head AND pointed away from his workstation. He asks if the text is ‘more script changes’ which means that they regularly get TEXTS of script changes in a major motion picture sequel. Pete has a tiny phone.

Panel 2.) You know that this is California because of the medical marijuana growing right outside the window. Pete’s hands are the size of his head and the bags under his eyes have drifted so far down his cheek they might as well be Tony Montana scars. Pete’s phone has grown in size.

Panel 3.) Boy Lisa’s desk light is now in front of him. His face is a horrifying mask with terrible pencil eyebrows drawn all the way up on his forehead. He is apparently wearing a black v-neck t-shirt like a total tool. We can see that Pete’s now minuscule cell phone isn’t even a touchscreen smart phone, but rather some knockoff blackberry-lite. I link a picture of my phone, for reference. Sad, cheap, pathetic reference.

Shadowy Agenda

Link to Today’s Strip.

Someone decided to rip of Frank Miller in exactly one panel today.

Actually the art on looks pretty good, bravo to the colorist for the gradient shades on Chester’s bald head. And you can actually tell that it is supposed to be a Hulk poster in the background. Much better than the weeklies. If you look at Saturday we have a brown Green Arrow, and a nearly black Spider Man. I know that there is a black Spider Man now, but I don’t think he’s gone for a suit the same shade as his skin.

In one entire week of strips, we’ve learned exactly HALF of why Chester is here. I’m guessing that at the end of next week we will finally learn why he wants to contact Mopey Pete.

I Saw Her Smirking There

Does everybody around here lean back in their chairs doing nothing?” wonders Director Guy as he fetches the producer his coffee. Of course, with Starbuck Jones opening soon, and its sequel having been filmed concurrently, what work would there be for the storyboard artist? Maybe Boy Lisa’s run out of his favorite pens again and is unable to work.

Back in C’ville, Pete has indeed found “something”: he spies a Batiukian/Burchettian blonde who stops him in his tracks so hard that his arms and shirttails fly away from his body. He’s pretty whopperjawed, all right! Casual readers might wonder why Pete’s blatantly ogling Cindy, but we know (since Batiuk teased it two months ago) that this is Crankshaft’s Hot Granddaughter Mindy. She’s successfully parlayed her Kent State diploma into a job helping her brother manage the dive theater.

 

If You Cedarville, Say Hello

If I were Hollywood producer Clay Wallace, I’d be leaning back with my feet on the desk too! When your director, leading man, screenwriter, storyboard artist, and their assorted hangers-on make brilliant decisions regarding casting, location shooting, publicity, and every other aspect of putting out a major motion picture, what’s left to do except kick back and enjoy things like palm trees outside and inside your office.