So today we get the strip that probably should have run Monday. The good news is that in today’s strip, Batty’s setting up an actual joke. The kitchen reno drags on with no end in sight (and remember: this all started out with a quote on a bathroom renovation and turned into a package deal; we don’t know if they’ve even started the bathroom). Funky dimly recalls that Rachel’s “studying to be a lawyer” and, in classic Funkman form, sees an opportunity to cadge some free legal advice. Funky doesn’t understand how adoption works? Isn’t his son Cory (like most other Westview millennials) an adoptee?
Tag: Wally
Cataract Ranch
So now we’re back to “Funky’s Body is Failing, Chapter 43”. Is that supposed to be Corey in the first panel? I hope so, because it’s legitimately hilarious that he’d have no clue that his dad is about to have surgery. Years ago, somebody must have told Batiuk that the way to get readers up to speed on what’s happening in your story is to have one character ask another what’s happening, because he sure does it a lot, and it’s super awkward every time.
Oh, and Funky is still nervous, in case you didn’t know. I really don’t know why Batiuk thinks “someone is nervous about surgery” is comedy gold, but he does.
The Ladder of Divine Ascent
Here we have the quintessential “tell, don’t show” strip as everyone stands around marveling at a display of which we, of course, get barely a glimpse. Instead, we get to look at a quintet of imbeciles.
The real treat is panel three, where Tony speeds out of Montoni’s with a huge ladder, that was apparently just sitting around somewhere. Funky looks puzzled, Wally looks at the floor, and Adeela’s face is almost covered by a crucifix! There, that’ll show her! Based on what we can see, she’s either amused or about to throw up.
Holly’s face is that of sheer terror. Tony’s face seems to say “Ha ha, fooled you!” and I think Holly is about to yell to Funky, “Stop him! That grotesque old gnome is stealing our only ladder!“
But no, he’s just using one of the non-black Santa hats to plop onto the Montoni’s mascot. Giving us, in the process, another unneeded look at his fat ass. Something tells me that hat won’t survive the first gust that comes along, but at least someone actually tried to do something without bemoaning the oncoming failure.
I will say this: the street in that last panel is very well presented. It looks like it’s wet from freshly melted snow, so good on whoever was responsible for that detail.
And that’s it from me for this go-round. Tune in tomorrow when Epicus Doomus sits in the center seat. See you on the Funway!
Decryption in Progress
I have no idea what a “sanctuary pizzeria” is supposed to be. Once again though, we see someone stick their tongue out while doing menial tasks, it looks just as stupid as it did before.
And once again, it’s Montoni’s and Adeela is front and center. Why? Easy.
Adeela is one of two characters in this strip who is to be treated with kid gloves, whose beliefs and thoughts are always to be held in high regard, while everyone else gets kicked in the guts and has to say they like it. She’s here so Batiuk can get awards for “inclusion” and “diversity” and that’s the only reason she’s here at all. Nothing is ever done regarding her character except bringing up her religion, and that’s just so everyone can tiptoe around it.
(Note: I have nothing against “diversity” among characters. But they have to be characters first.)
Well, this strip is never going to win awards, because the person behind the “writing” can never come up with good characters or a convincing scenario that would appeal to anyone. So, yeah, Adeela will be in every Montoni’s strip from now on, because someone has to have an award they’re really desperate to give away, and one of these days that person might read this strip.
There’s one other character who is treated the same way, and that’s Les Moore. If that doesn’t give you incentive to hate Adeela, nothing will.
The Tony Awards
For a nice change of pace, everyone in today’s strip looks cheerful. As usual, though, there are no customers to be seen. Not even freeloaders like Harry.
What happened to Adeela in panel two? She was right next to Holly, and now she’s been shunted to the rear of the restaurant. And why is she there? I thought Wally and Adeela were managers who worked different shifts, though I don’t care to remember who had the day and who had the night.
I guess Batiuk feels if she’s not a part of every Montoni’s strip going forward, he’s not going to get any of those diversity awards.
Son of Stuck Funky 