Did I Stutter?

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Back in 1994 BatYak was considered something of a modern-day Nostradamus, courageously addressing timely social issues of the day long before they became fashionable. Guns in schools, teen pregnancy, drunk prom driving, alcoholism, divorce, talk radio, medical chart snafus…BatHack saw these broad social trends coming and tried to communicate these truths to us via his unique brand of obtuse wry banter, which unfortunately was just a bit too far ahead of its time for the “average” comic strip reader to properly appreciate. In an era marked by noisy dissonant pop-culture phenomenons like Nirvana and “For Better And For Worse” Batiuk’s subtle, more writer-ly take was lost in the shuffle. It was truly America’s loss.

Anyhow, it’s a real delight to see the still-dying Fred manage to weakly mutter his approval for the #hashtag movement as his loveless wife and reluctant caretaker Ann looks on with barely interested disgust at the frail wretch of a man her philandering ambition-crushing husband has become. So it turns out that the whole #anti-guns in schools arc was just a prop to take a victory lap acknowledging that FW addressed the issue way before it became trendy and fashionable. Nicely done. If any “young people” get teen pregnant or let talk radio inspire them to blow up post offices he’ll have that covered too. Sigh.

A Brief History Of Stupidity

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You know he’s going to say this arc was “about” climate change, even though it was actually “about” six days too long. See, while I have no idea how it really works, I assume they do the artwork based on a TomBan premise, then he fills in the word balloons with his shitty dialog. I mention this because in my opinion there was something “off” about this arc, like the premise it was drawn for was something different than he ultimately opted to go with. The subject of the arc (Holly’s mother) is unseen, Funky is inexplicably shoveling snow at some sort of municipal building, apparently having forgotten that his mother-in-law already does live with him and today Holly throws an entirely inappropriate sinister smirk at Funky for no reason.

It doesn’t add up and it reads like it was supposed to be something else before, for whatever reason, BatNard dropped the original premise and threw together this piece of garbage instead. Or maybe I’m wrong and this was exactly what he intended to do all along, which is an even scarier thought.

Three Rights Make A Left

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Oh boy. Today we see TomBat courageously dipping his toe into, uh, “climate change politics”, let’s say. It’s an issue he tackles once a decade or so. Regardless of where you stand or how you feel about climate change, I think it’s safe to say that anyone concerned with or bothered by climate would take their chances sinking in Florida over living in Westview, where months-long Antarctic-like blizzards and life-threatening leaf falls are a way of life. It makes even New Jersey look like paradise.

Yeah yeah yeah, his name is in there but please, try to refrain from “political debate” in the comment section and devote your energies toward making fun of the comic strip, please. It’s one of the few things left that all comic strip-reading Americans can agree upon. I ask for so little and give so much, just indulge me on this one. Thank you in advance.

She Who Must Not Be Named

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How exactly is Funky looking at Holly in panel 2? His shriveled left eye seems to be staring right at the bridge of his own nose. But his cosplay is on fleek. A near dead ringer for Joe Pesci’s Harry from Home Alone. True the hat is the wrong color, but the vacant yet angry expression is exactly the same.

Of course Holly is probably referring to Hurricane Irma. But that’s not the only option.

She could mean Irma, Wisconsin, USA, an unincorporated community that Mrs. Budd wants to live closer to so she can attend St Paul’s Evangelical Lutheran Church.

Or she could be frustrated that Irma, a Danish supermarket chain, has stopped shipping internationally so she wants to move somewhere with a larger Danish expat population in hopes of finding a store carrying her favorite brand of Spegesild.

Maybe she wants to be closer because she has IRMA Intraretinal microvascular abnormalities, a component of diabetic eye disease.

Maybe she’s upset because she heard rumors that Irma Records, an Italian record label, was about to drop Michael Buble’s friend, Matteo Brancaleoni, and needs emotional support.

On the subject of emotional support, maybe her past is coming back to haunt her. She could be suffering from PTSD from participating in Operation Irma, a series of airlifts of civilians during the Siege of Sarajevo.

She’s even old enough to have survived the sinking of the SS Irma, a Norwegian merchant ship sunk in controversial circumstances in 1944 by the Royal Norwegian Navy.

Since we’ve already had one storyline on swinging seniors and protection, maybe Holly’s mad at IRMA, the International Rectal Microbicide Advocates, an international non-profit organization which promotes awareness of rectal microbicides and reviews and encourages research into the safety of personal lubricants for anal sex, especially as pertaining to preventing AIDS. Maybe Funky’s Mom gave Funky’s Dad HIV after living it up with the senior crowd at the Miami Bum Boat Club.

But if I could pick one myself, I hope Holly means 177 Irma, a 43 mile wide asteroid currently located in the asteroid belt. I would choose this in the hopes that Mrs. Budd is only moving in so she can spend her last few weeks tormenting her son-in-law before a wayward 177 Irma careens into Earth driving the human race extinct.

Timeworn Warning

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So an unpleasant elderly woman demands to move in with her middle aged child? A plot line so timeless that Tom Batiuk has used it already. Did he miss Rose from Crankshaft so much that he decided to move a surrogate Rose to the flagship? How long until the elder Mrs. Budd is stabbing comic books and reminiscing on spatula spankings?

This strip is really about 50% recycled Crankshaft at this point. Elder antics abound, and the majority of the cast is aged 50-90 and drawn as an even 75. And it only highlights how much better Crankshaft is. I’m not saying Crankshaft is good but it is usually tolerable and occasionally amusing. Some of that has to do with residual ‘zany’ ideas being allowed there, like Crankshaft scaling a massive icicle with hatchets.

I think the real difference is the titular protagonist. When your main character’s explicit stock state is a grumpy, ignorant, sour old man, then it’s in character when he’s stupid or mean. But it hints at hidden depths when he’s thoughtful or kind. Like washed out, discount, diet Archie Bunker.

But when your main character is supposed to be a relatively intelligent, socially conscious, everyman, then he’s bland when he’s acting like himself, and just infuriating when he’s an asshole so dense and full of shit Miralax couldn’t clear him out.