It comes as no surprise to me that Les enjoys seeing celebrities die, as he’s always been a spiteful scumbag and all. The clumsy dialog in panel two baffled me at first, until I realized it was merely BatYam’s typically oafish way of explaining that Les was more of a beginning obituaries reader, as opposed to being a sad old coot scanning the obits to see which friend, colleague or associate died on any given day. Which is a premise just dripping with comedic potential…all of it unrealized, of course.
Category Archives: Son of Stuck Funky
Oh yeah, Mary Sue Sweetwater. She was everyone’s dream fantasy girl back in high school, then she got frumpy and fat, and now she’s dead. And now Les is at her funeral, talking to Funky about how her death affects him. This sure seems familiar. I have to assume that BatYam’s high school memories are nothing short of harrowing, given how much he enjoys these revenge arcs, where Les dances on his old high school foils’ rainy, windswept graves. Les wins again.
I’m just relieved that it’s not comic books again. It says a lot about FW when you’re actually pleased to get an arc that’s set in a cemetery. The rain, the windswept graves, the depressing morose banter…I feel like we’re home again.
That’s right, BatYam, it’s the readers who are wrong. This attitude sure explains an awful lot. “Crappy serialized stories that plod along for weeks on end and never go anywhere are what comic strip authors choose to publish!”…yep, they sure do. It’s one of American popular culture’s most enduring and vexing conundrums.
“Rapping Around”??? Oh…I get it. “Rapping” meant something else in those days. Way to date yourself there, Batton. Sigh. Obviously the gag here is how Batton was tackling these timely, topical issues way, way back in the 1970s, when everyone started giving a hoot and not polluting. And Batton is all wistful about it as he realizes that his “art” made no difference whatsoever. And it’s all very hilarious, in that patented unfunny way of his. I’d like to throw the whole lot of them in that river, preferably with cinder blocks chained to their ankles.
Why is this an annoying vertical strip? Panel one, the fake strip, panel two, word balloon one, panel three, word balloon two. How hard was that? Something about that pseudo-Funky font really irks me, too. “Rapping Around” my ass.
It’s called a “tetralogy”, you nimrods. Or a “quadrilogy”, if you prefer. It took me all of three seconds to learn this. But BatYam felt he really needed to drive Flash Freeman’s general imbecility home, again, so here we are. It would appear that once again he’s done the impossible and discovered something even more tedious than that “Elemental Force” arc from a few months back, and that “something” is watching Flash and Phil talking to Batton about it. That BatHam, always pushing his artistic boundaries.
That “Elementals” arc was absolute hell to get through and I really hope we’re not revisiting that fiasco again, because I am totally out of sub-atomic particle puns. It really is remarkable how quickly Flash Freeman became one of my most despised FW characters, as he wasn’t even in the strip until a few years ago. And it was better that way. Marginally, yes, but nevertheless.
Keen observation there, Boy Lisa. Insight like that must be why they keep him around, in spite of his overwhelming blandness. Not that it would have helped or anything, but it’d have been way more in character if Chester had said something like “find out what next’s year’s hottest titles will be so I can buy all the first editions” or something that was, you know, related to comic books in some way. Because he’s Chester Hagglemore, the man whose entire life revolves around comic books.
But instead he just had him say the most generic thing possible in that situation, rendering the strip (and the Chester character) totally pointless, instead of just mostly pointless. This is a really, really bad premise, even by FW’s lowly standards. Usually the premises are semi-believable and it’s the execution where they all go hopelessly awry, but this one is just complete dog shit. He couldn’t think of any other way to work some “Flash” gags into the strip? “I know! I’ll have Batton Thomas inexplicably use the Flash treadmill at Atomik Komix”…I mean that’s really out there, man. Half the strip takes place in a comic book store and a comic book factory, and this was the best he could do?
I have to assume that this gag would make sense to big “Flash” fans, but what good does that do me? Based on what I know thus far, Batton’s gym closed during the pandemic, so he wandered over to Atomik Komix HQ, where, as fate would have it, they had a treadmill he could use. And no one at AK seems to mind or finds this peculiar in any way. On the contrary, they actually seem fine with it, engaging in wry banter with Batton as opposed to saying something like “what the f*ck are you doing?” or something like that.
And if his gym closed due to the pandemic, is it wise for him to be wheezing all over a bunch of people (three of them elderly, no less) he doesn’t even really know? And what about the potential liability issues here? If Batton snaps a tibia or dies on that thing, the cops and lawyers will definitely be asking questions about AK’s incredibly lax security, and those questions won’t be wry.
Special thanks to TFH, and everyone else really, but especially him! Lucky me, I’m back just in time for the unholy alliance of Batton Thomas and Atomik Komix, perhaps the second or third most sickening development of 2022 so far. Les getting that Oscar is gonna be tough to top.
So this Batton guy just “started coming there”? He just showed up at random local businesses looking for gym equipment he could use? Did someone invite him? How did he even know about the treadmill? This was the only way a guy with fifty years of writing experience was able to work a character based on himself into the story? Why not just use “magic” next time? Would it really be that much more ridiculous?
Batton is in the strip all the time now, yet Batty is still explaining who he is, which means that either a) he thinks his readers are forgetful dullards or b) he has no confidence in the character and probably shouldn’t be using him at all. I’m kind of surprised that Batton doesn’t already work at AK, as everyone else even loosely associated with the comic book business (turns and glares at Mindy) does. He could write and illustrate “Apathy Man”, whose superpower is that everyone forgets interacting with him immediately. He could use that ability to solve crimes or save the planet or something, or he could just half-ass it and milk it for fifty years. Either or.