February 21, 2020 at 2:13 pm
…I FINALLY FIGURED IT OUT!! Chester the Molester is supposed to be Bruce Wayne, but instead of fighting crime through an alter ego, his mission is to right all of the wrongs of the comics industry while saving the entire genre for posterity singlehanded…
Well that would make at least as much sense as whatever has gone on around here this week! Bought off his conscience? Chester’s really not guilty of anything, aside from being a rich nerd. Unless the guilt he feels is over having built his entire fortune on all those comics he stole from the drugstore as a kid. In which case it’s going to take more than selling off one rare comic–which he owns in triplicate–to truly fix his karma.
I right away had to look up “pantload;” not as a prerequisite for moving it to the Batiuktionary, but because I understood it to be a pejorative. It’s what you might call someone who’s clueless and unpleasant: “Chester’s a real pantload.” Indeed, over at urbandictionary you can find some pretty colorful definitions. More um, sophisticated reference sources, however, support Ruby’s usage: a nicer way to say a “metric shit ton” of a given thing.
Sensing that Ruby isn’t going to be an easy lay after all, Chester resorts to a combination of flattery and bribery. Ruby’s mistrust of the Chiseler is on display again. For him to attempt to ravish her or shake her down for money would be more plausible than him (awkwardly) handing over the Miss American cover art for which he’d paid big bucks.
Well, if the “nice-sized” check wasn’t meant for Darin, then he and Jessica will have to settle for a check that is merely “nice.” Doesn’t matter anyway, since Darin immediately cops to having blown at least that amount on some other artists’ work. Tune in tomorrow when Chester turns to Darin and snatches the check from his hand. As commenter “Doghouse Reilly” reminded us on Wednesday, the artwork that Ruby sold was “commissioned recreations,” not her original work which her chauvinist pig bosses did not allow her to keep. Come to think of it, if they were commissioned, then by whom? What’s she doing selling them? Anyway, unless Darin sold off some old “Sophomoric Sightings” strips, any comic art that he’s produced was done as an employee of Atomik Komix, so he’s already received his reward.
Well, good for Ruby Lith. Like cracked actor Cliff Anger, Ruby’s another living Twentieth Century relic who held on into the Twenty-First long enough to finally garner some long overdue recognition. I hope her excitement over this check doesn’t trigger a coronary, which would look something like this:
I also hope Ruby’s allowing for inflation here, since her “original pay date” dates to around the Truman Era. Meanwhile, the expressions of escalating dismay on the faces of Darin and Jessica are the most satisfying thing we’ll see all week.
Last week’s running gag had Dinkle and Becky walking around reading signs. This week is shaping up to be a series of people letting themselves into the Atomik Komix office and being greeted with “Hey!” Superb draftsmanship today in panel 1: Kitch Swoon appears to be standing in the doorway of an airplane in flight, and Pete is so excited he’s morphed into Shemp Howard. Our colorist gives even less of a damn, leaving Ms. Swoon with white hair rather than the blonde hair she had when we met her last summer. At least Batiuk hasn’t altered or forgotten her name.
Silly monikers have been Funky Winkerbean‘s stock in trade for nearly a half century, from the title character and his friend “Less More,” to the late Coach “Jack Stropp” and forgotten teacher “Rita Wrighton.” These names were semi-witty, facile wordplay. But I’m at a loss to tease sense out of “Kitch [sic] Swoon.” She’s an artsy type for sure (she’s wearing a beret). Does she specialize in “tacky,” lowbrow, populist art? Does the sight of kitsch make her feel like she’s going to faint?