photo album corners – Page 4 – Son of Stuck Funky

How the Other Half Burns.

First of all, YOU CRAZY COMMENTERS! I haven’t seen our comments section this lively since Bull pulled an Aldo Kelrast off Nobottom Road. You make it incredibly difficult for me to find something to say that hasn’t been said, but I bear that cross gladly.

Second, when I saw yesterday’s strip I knew that our personal Winkerpedia, BillyTheSkink, would be able to provide the deets, and he did. Thanks Billy! He gave a great breakdown of The Great Montoni’s fire of ’97 yesterday, so if you didn’t read his comments, go back and take a look. The most important details seem to be:

1.) Wally Winkerbean saved both Lisa and Les from the fire when he crawled through the smoke to wake them up.

2.) The fire was arson and was probably started by a guy called Plantman who was attempting to destroy evidence of the murder of Jess’ father, John Darling, who was murdered.

3.)Les ran back into the apartment to retrieve a floppy disk containing his research and draft for ‘Fallen Star,’ a book about Jess’ father, John Darling, who was murdered.

4.) Les did not save Lisa.

5.) Crazy Harry committed mail fraud for insurance purposes.

6.) Les is a selfish prick who has forgotten that he didn’t save Lisa.

Yesterday’s juxtaposition of past and present made sense; young Les ‘saving’ Lisa versus old Les extra bonus saving pretend Lisa. Today’s series of panels make it a little more difficult to parse out the symbolism.

But today seems to show that while Les and Lisa were poor newlyweds devastated by losing their crappy apartment along with nearly everything except each other, Masone and Cindy are rich and so don’t really care about one of their houses getting torched. They’re gonna go to their fancy boat, sail out into the bay, and sit on the deck sipping wine. It’ll be a fun date night to watch the plebs flailing and drowning in the shallows, trapped between waves and flames, like the peasants of Pompeii.

Carry On Baggage.

Link to today’s strip

Wow, Les has really manned up in the last couple decades. He’s gone from passively handing his standing wife off at the door to another manlier man, to bridal carrying his wife’s avatar over the threshold at a brisk jog; effortlessly hauling all 110 lbs of Hollywood starlet in his arms with the wiry strength natural to a fifty year old English teacher.

Just kidding. This is the dumbest attempt at trying to make something look more dramatic I’ve seen in this strip. Unless Marianne fell down the stairs off panel, she should be perfectly capable of walking out the door. What is this strip trying to convey? The weakness of Marianne, or Les’ overprotective instincts? An excuse for an upskirt shot? We don’t know what the situation was like in the house, or how the women were reacting to it. Apparently the sight of fire turned them into whimpering passive objects unable to move or think without the firm touch of a man guiding them.

They must have lost the car Marianne drove in one of the THREE CARPORTS this McMansion is rocking.

Seriously, what happened to this car? Is it a self driving car? Did it drive itself away from this nonsense? Good for it.

“Here’s a Quarter…

–call someone who cares.”

For the first time since time immemorial, there’s an actual punchline that’s kind of funny. A mangled aphorism, sure, but so much better than anything ever featured in Shankcraft.

The fact that the rest of it is stupid beyond measure is beside the point. Reviewers: “Yeah, I thought the movie was overly maudlin and treacly, the characters were loathsome, the production values are nil, and I was about to give it zero stars, but the quarter-finding scene turned it into a masterpiece of high art.”

I get it, Batiuk, every single trivial thing that involved Lisa is sacred, no matter what did (or didn’t) happen. It’s all part of some fantastic mosaic of incredibleness and awesomeness and every person alive (or dead) should go out and a) buy the hardback trilogy and b) give Batiuk all the awards that can possibly be awarded.

There’s no question in my mind that Batiuk is winding this thing down. The endless descents into utter trivia, treated as if they are gifts from the gods; the settling of old scores; the elevation of the hero characters; and the general disinterest he shows in his writing–all these things point to man who has spent his legacy and just can’t care anymore.

Talkin’ “Turtle”

Epicus Doomus
December 1, 2019 at 11:34 pm
The sad thing about this is how [Batiuk] seems to think a story about a comic book artist who’s always behind schedule is an interesting and relatable premise.

We get it. “Turtle Thompson” was a real pain in the ass to work with. Luckily for him, he was surrounded by enablers who let him get away with being lazy and unreliable. Maybe his artwork (which we’ll never see, unless tomorrow’s strip is a sideways Sunday comics cover) was so good, he was worth the aggravation. Maybe capable comics illustrators were hard to come by in those days (doubtful). At any rate, years later they are reminiscing fondly about ol’ Turtle. He, and Flash and Phil Holt and all those comics legends created entire worlds, and their work was consumed by legions of devoted fans. Though Darin and Pete imagine themselves to be in their same league, their work will never have that kind of impact. It’s no wonder that Darin’s quip, referencing a supervillian who exists nowhere outside of his and Pete’s imaginations, falls a little flat:

Flash in the Dark

comicbookharriet
December 3, 2019 at 12:55 am
…[I]f he ever wanted to vacation at Easter Island, the locals would probably worship (Flash Freeman) as a god.

Lest we forget which “Turtle Thompson” we are speaking of: it’s “The artist.” Props to commenter Scott J Lovrine, who yesterday cited Silver Age comics inker Frank Giacoia as a likely inspiration for “Turtle Thompson.” A number of readers have suggested that this arc might be a dig at the mysteriously departed Rick Burchett; I’ll give Batty a little credit here and say that he wouldn’t throw a former partner under the bus like this. We don’t know how about Burchett’s ability to meet deadlines, but his work on Funky was just terrible, and I for one was happy to see him go. But his replacement, the formerly reliable Chuck Ayers, has rendered a grotesquely misshapen head on ol’ Flash here, making him look in rear view like a Q-Tip with ears.