Tag Archives: suicide

My mother, the car

Quite the crowd on hand in today’s strip, with the first panel serving as the Batiukverse equivalent of the semi-famous crowd reaction photo from the 2017 Academy Awards’ wrong envelope incident. While the crowd of stars watching Marianne are not quite of the same wattage as those in the 2017 audience, I still spy some big names.

  1. OK, I don’t know who this is, but his mouth is huge
  2. The shirtless Nazi who gets shredded by a propeller in Raiders Of The Lost Ark
  3. George Foreman
  4. Dorothy Hamill (what’s with all the sports people?)
  5. The giraffe that stole David Cassidy’s hair
  6. A Dilbert cosplayer
  7. General/President Ulysses S. Grant
  8. Who invited Creepy Pete?
  9. Christopher Columbus (not that one)
  10. Soft-serve ice cream
  11. SHEMP!

Quite the menagerie present to hear Marianne call back to the time she went AWOL, nearly committed suicide, and then quoted her mother quoting an actress who was one of Hollywood’s most famous suicides. Anything to fulfill your parent’s dreams. How inspiring!

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Same Brain, Different Damage

Link to today’s strip.

The expressions in today’s strip are really something.  Panel one’s Les looks like he’s ready to burst into a whine.  “I’ve been listening to you talk forehhhhhhhver.  It’s miiiiiiiiiiii turn!”

Panel two’s Linda counters with “Gad.  Why am I talking to this excrement stain.  I could be watching TV, or eating toast.”

I’ve no opinion on the NFL-as-monster issue, though it’s pretty clear Batiuk is saying they have blood on their hands because they won’t fund Linda’s post-marriage lifestyle.  “It’s not fair.”  Well, Linda, I’d say that if Bull never played in a game, his brain damage can’t be ascribed to the NFL.  Some players have a career in the NFL that lasts years, and I’m sure their brain damage would be far worse that someone who (apparently) got his CTE while in high school or college.   The NFL can reasonably say “We don’t know who this guy is.”

Fair?  Maybe not, but life isn’t fair.  Never has been, never will be.  The NFL is not, repeat not in the business of providing health care for its players.  It exists to make money through entertainment.  That’s an argument that ought to be applied to comic strips, but somehow never is.

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1962 Called….

Link to today’s strip.

“And I mean I literally made sure to preserve his brain for study.  If you look inside this closet, you can see that I severed Bull’s head and put it in this photo-developer tray.  I attached some tubes to his head so it would look cool, but they’re just for show.  Oh, and you can see he’s got plumber’s tape over his mouth; that’s because he kept yelling at the big mutant in the other closet to break out and smash the place up, and I’d just vacuumed.”

So, is Linda’s dialogue (in panel two, blimp one) supposition, or did she find a note explaining Bull’s plan?  Because he could have been wearing his helmet because dementia.  Or because he forgot he had it on, or simply wanted to wear it.  The longer this arc goes on, the more apparent it is that there was no plan at all here, just another pathetic stab at getting attention.  A phishing attempt that somehow managed to snare the New York Times.

And if Linda did find a note, how many weeks will it take her to read it?  At one word per day….gee, are you sure ten weeks are enough?

Special Movie Bonus:  has anyone here seen…this?

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Disabled Airbags

Link to today’s strip.

Yeah, I see a couple of airbags here that would benefit from being disabled.

Another example of how Batiuk’s method of drawing a year ahead of time (including the word blimps), but waiting until the last minute to write the dialogue results in a clunky product.  Why bother mentioning that the cop was a former player?  What does that have to do with anything–unless Linda is implying that this officer’s loyalty to Bull made him fudge the police report, so that A) Linda could be spared the “embarrassment” of her husband being a suicide or B) to help her with some insurance fraud.  Neither one sounds terribly noble.  In fact, they sound kind of criminal.  It also means there’s a possibility this could become interesting–RED ALERT, TAMP DOWN ALL EXPECTATIONS.

If it’s just there to take up blimp space, well, that’s okay then.  Another example, as if another was needed, that the author just doesn’t give a damn about any of this, puff pieces in the New York Times notwithstanding.

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The Bland Leading the Blind

Link to today’s strip.

Yeah, yeah, cue the dramatic chord for panel three.  Whatever.

What I’d like to point out is panel one.  Les says he could “see what was coming.”  He’s implying that Linda couldn’t.

But Linda should have.  Like Lisa, Bull had an incurable condition that could not be paused or reversed.  He was going to die, after deteriorating mentally {“a pretty short trip”–Les Moore).  There was no other possible ending.  That he might decide to end it all before wasting away was a definite possibility.

So why couldn’t she see what was going on?  Why did she think working on the car was “therapeutic” and to be encouraged?   Why did she have no idea where he was on the night he died?

I think there’s only one good answer:  because she couldn’t be bothered.  Many here have a visceral hatred of Linda, and it’s easy to see why–she’s basically the distaff Les Moore.  Check out how I’m smirking through my woes.  Oh, I am so beset by the fates, each day a stay in torment.  Oh, and also my spouse has this terrible condition, which has caused me to suffer so.   The entire CTE arc has been nothing but her complaining, first to Les, then to Buck, about all the problems she was going through.  There may have been one or two occasions when she actually sympathized with Bull, but they were so few and far-between that I’m not sure I can say they existed.

Everyone in this strip is a terrible, terrible person.

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