We Were All Thinking It.

Well, at least Batton got something out of it. 🙂

Use this space to react to the Batton Thomas interview, or talk about something less excruciatingly boring. Again, I’ll do this bullet point style:

  • Batton Thomas has now been talking for well over two hours, finally gets to the part where he gets the cartoonist job, and… skips over it. Absolutely stellar.
  • Is this how Tom Batiuk thinks interviews are supposed to work? That they just let you drone on for hours and hours and hours about whatever you want? Highlighting Skip’s lack of journalism skills is belaboring the obvious at this point. But sheesh, he could try interjecting a question.
  • It’s no wonder Tom Batiuk always gets ripped off in his syndicate contracts. Apparently he just signs whatever they mail him.
  • Finally: have you looked at any other comic strips this week? Batiuk is being out-Batiuked all over the place right now.

    Luann is doing a rerun about selling comic books door to door. Rex Morgan, M.D., has spent the last six weeks on a story where an unknown adult man thinks country singer Truck Tyler is his father. SPOILER ALERT: he’s not. Mary Worth is spending a week packing to go to New York to hang out with a 14-year-old. Who knows what Gil Thorp and Mark Trail are even about anymore.

    It feels like every drama comic strip is trying to duplicate Batiuk’s lazy, tedious, self-indulgent, exposition-heavy, character-shilling, skip-over-anything-interesting writing style.

Murder In The Burnings: The Minor Suspects

So the burnings have suddenly turned into the world’s lamest Choose Your Own Adventure game. And we all know what the correct answer is in this world:

She’s got two valid reasons to call the police, a threatening mob standing in puddles of their own unburned accelerant, and the world’s greatest arsonist right next to her. But you do you, Lillian. Lord knows you have stellar judgment when it comes to not censoring other peoples’ reading material.

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Interview With The Vapid

Last week, I wrote about Tom Batiuk’s blog post, where he defended his use of what he calls “non-linear storytelling.” He said that he intentionally abandons stories and returns to them later. I thought this was a nod to the fact that 90-something Eugene wordlessly rowed into a lake a couple weeks ago, and his story abruptly stopped there.

Silly me. It turns out Batiuk wasn’t talking about Eugene. He was actually talking about his favorite subject. No, not comic books. Himself!

I will go through this week of Crankshaft day-by-day, because it deserves that much attention. But first, let’s take a moment to review the history of the Centerview Sentinel.

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My Dinner With Batton

My Dinner With Andre was a 1981 movie starring Wallace “Inconceivable!” Shawn, and director Andre Gregory. The entire movie is a restaurant-table conversation between the jaded, frustrated Shawn and the happier, new age-y Gregory, about their lives in the theater. Gregory recounts his very strange adventures, like experimental theater deep in the forests of Poland (when it was still a People’s Republic). Gregory argues that these experiences made him feel more human, more fulfilled, and better at his job. Shawn counters that most people don’t have the means to go lengthy journeys of self-discovery, and finds satisfaction in small things instead.

In Crankshaft this week, Tom Batiuk is having this conversation with himself. (And probably for the next two weeks as well.)

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Artist’s Merit

Now that we’ve cut the power to his mic and had security drag Les Moore from the stage before he could read the second chapter of Lisa’s Story aloud, we can move on with our awards presentation.

From Michelangelo carving himself lowering the body of Christ from the cross,

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