Link to today’s strip.
Why does Tom Batiuk use these stupid sideways strips? While it makes less work for Ayers to draw them, it makes more work for the reader, and there’s never any reward for doing so.
Batiuk might say they make his strip unique, as no one else does this. That’s true–no other comic strip artist does this. The reason they don’t is very simple–it’s an idiotic idea that adds nothing, and subtracts a great deal. Much like an ermine violin, it’s an impractical thing to have. Here’s an idea: why not make up a completely new language for his characters, with no translations available? That would be unique, too. And it would save time for the reader, since he could just skip the whole thing and move on to Garfield.
I guess striving to be unique, even if that makes the strip more difficult, is his goal at this point. He certainly hasn’t been trying to make his characters interesting or his stories anything other than dull.
As for today’s entry, well…when I was in college, my father would arrange summer jobs for me between years. It was decent work, and it gave me some spending money. But he never did this during Christmas break, which is (I assume) why Summer and Keisha are there now. It seems like a rather mean trick to play on a kid.
One might argue that this gives Summer and Keisha some work skills, showing up on time, knowing your tasks, etc. Except I feel certain both of them have worked at Montoni’s, so they’d already have some idea of those things.
Any excuse to ruin someone’s holiday, I guess.
By the way, I refuse to believe the person “on the left” is Cayla. It doesn’t look anything like her.
So we began and ended the week with a fat joke. Yep, this is how Emmy winning content gets made, folks….
Along with the flagrant retconning, jaw-dropping anachronisms, and slapdash draughtsmanship, the very sequencing of this week’s strips annoyed me so effin’ much that I’ve gone and rearranged them in logical order on their own page: sonofstuckfunky.com/the-butter-brinkel-story-corrected-for-continuity.
As Monday is the first of a new month (jeeze, it’s already July?) , your genial hosts here at SoSF don’t have the so-called luxury of being able to peep next week’s strips in advance. And Sunday’s strips are never available ahead of time, so don’t bother checking in around here until midnight Eastern (hopefully you’ve got better things to do on a Saturday night…I haven’t…) And heads up: stepping to the plate on Monday is none other than billytheskink! Billy has perhaps the broadest knowledge of Act I and Act II, and the ability to resurrect vintage strips, and shows a better grasp of continuity in the Funkivers than Thomas Martin Batiuk himself, and is handy with haiku. I salute him, along with @epicusdoomus, who manages the bullpen, and every guest author, past and present, over nine years of this blog, and most of all, you, the reader.
Link to today’s strip
Ha…ha. “Cut”…get it? That’s a real howler and the wry banter really enhances the joke too IMO. Sigh. I guess it’ll just go on and on like this for a while, unfortunately. Once again we see our pal Guy McAuthor establish a semi-decent and perfectly functional premise only to gunk the whole thing up with the usual awful wordplay and barely-recognizable “jokes” as Conan enters the FW “why?” Hall Of Shame alongside Dick Tracy, the Flash and that comic book guy who had the heart attack that time. One wonders what the Great Writer had in mind when he started this, back before he became bored with it three seconds later. If he could ever just follow through on one of these premises someday…(sigh).