Move Toward The Light

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Hands up, everyone who didn’t see this coming a mile away.  Let’s see–that’s one, two, three–OMG, you people are going to have to see me after class if you have any hope of passing the mid-term.  Or that kidney stone.  I’ll let you choose which is less painful.

Of course, if, in a strip from next week, Cory returns home and, before it can land, that helicopter blows up, why, that would be great and I would personally buy Tom Batiuk a beer.   Of course, odds of that happening with the sacred cast are probably as close to zero as you can get without squinting.

Now if, as some have speculated, Rocky ends up dead or maimed, well…she’ll fit in nicely with Kerry, Carla, that biker dude who sold comics, and the rest of the anonymous horde who only serve to illustrate the troubles of the Funky Winkerbean cast in a greater arena before disappearing into their respective hells.   IE, it might be used to briefly illustrate a point, but then they and their sufferings will be shuffled quietly off-stage, never to be seen again.  After all, Les Moore, after all.

And before you ask, yes, I was going to call shenanigans on Holly’s surprise, since her cellphone probably flashed “Cory Winkerbean” when it rang, but…then I thought, perhaps Cory is using someone else’s phone.  Or perhaps the Winkerbeans never store anything in their contacts, or use different ring-tones, or any number of other stupid reasons why I hate writing about these people.  It is, after all, evil technology(R)(C), use of which is prohibited.

The wrap-up, here, of this arc (I am being optimistic) illustrates one of the major problems this strip has–it’s so static.  Nothing ever really changes.  Oh sure, Khahn moves away, Dopey Pete moves away, Cindy moves back…but those are all relatively trivial.  Since the death of Lisa, Tom Batiuk seems to have decided that this strip is just going to drift along on weak wordplay, smirks and depressive smacks to the head until someone in quality control notices what they’re paying for.  I guess payments for Funky Winkerbean are like the paychecks for Milton from Office Space.  Someday, someone will fix the glitch.

Perhaps I’m just someone bummed out because my favorite character, the Pouncing Darkness, is brutally dispatched over the course of today’s offering.  Farewell, Darkness!  I’ll–I’ll never forget you!  And I’ll vote for your Pulitzer!

Away in the Shadows and Oncoming Dark

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I guess the idea here is that Cindy was about to say “next of kin” but caught herself at the last moment.  That seems obvious, very obvious, and I only bring it up because the ellipsis in panel two should really be followed by a double-dash in panel three.

I suppose, given how swiftly the Darkness seen yesterday pounced and surrounded her, Tom Batiuk was lucky to get any dialogue in before she was snatched into the void.

And I’m going to say that I do like the direction this arc has taken–not the trivial story elements, of course, but the way Tom Batiuk has shown each character ending up swallowed in darkness.  It’s brilliant and should happen more often.

And in the Darkness, Bind Them

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Again, another baby step.  The suspense would be killing me…if it wasn’t resting on the sofa, eating chips and watching Three Stooges shorts while I’m over here trying to type.

I do like how the darkness just encroaches, panel by panel, until Funky and Holly are completely surrounded, and about to be blotted out of their sorry existence.  I’d like to offer some genuine, non-ironic praise for Tom Batiuk’s artistic choice in rendering today’s effort.  Well done!

I Thought Nothing Was Supposed to be Something

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Nothing really surprising here, as Tom Batiuk takes one baby step at a time through this latest arc.  To be fair, that’s how most continuity-based newspaper strips work–Newspaper Spider-Man moves at a pace that’s positively glacial.  However, when your “action” consists of one sitting person joined by another, it is possible to move a little too slowly.  You want people sitting on the edge of their seats, not sitting back and snoring softly in the afternoon sun.

I’d be remiss in my duties if I didn’t point out two pretty amazing things in today’s episode.  In panel one, we have a small potted plant that is absolutely black–a darkness so complete that it seems no light can reflect from its shriveled, defeated leaves.

Not really that surprising, given that it has spent its lonely life in the Winkerbean household.  But next to that, we have a tea-pot that has apparently phased part-way through the top of the shelf and is now embedded forever within the wood.   There are some comic book characters who can do this, perhaps Tom Batiuk was thinking of them when he drew this.

Monday, March 10th

Link To Today’s Strip

Greetings, folks, BChasm back for another round.  I found myself a bit startled when Epicus mentioned that I was next in line, and as the panic set in, I wondered if I could schedule some emergency surgery, or join the army, or something…but no, duty calls, and the Moon is a harsh mistress.

Today’s episode was not available for preview, so we can all speculate until the wondrous onset of midnight, when all will be revealed.  Will it be more of Cindy’s woeful career, or another quest for an issue of Starbuck Jones, or will both these recent plotlines be abandoned to bring us something else?  One thing you can say about Funky Winkerbean is that it’s really pretty unpredictable.

It’s just unpredictable in a really, really lame way.  What way beckons from the pallid rim of midnight?

Let’s find out together.

UPDATE:  And it looks like those who had Cory in the Dead Pool are about to get their payoff!  Maybe.  Whatever resolution this new arc will have, it will be better in the imagining than in the actual.