Tag: Marianne

Some Like It Lumpy

Link To Today’s Atrocity

Wow. Major Act II flashbacks, man. I didn’t think he’d go THERE with this story, but once again I vastly underestimated his shamelessness. He could have chosen to go with some nice breast cancer awareness platitudes and how “Lisa’s Story” was ultimately helping people and so forth. But, with his usual sledgehammer-like subtlety, he decided to go ahead and GIVE MARIANNE CANCER instead. So now she really is just like Lisa, except hotter and, you know, alive and everything.

Even after all these years and all the tedium, this is still one weird-ass f*cking comic strip, I’ll tell you what. This is just ghastly and the fact that BatYam doesn’t know this makes it even more twisted and strange. It doesn’t insult your intelligence, it shoots your intelligence in the back, rummages through its pockets and leaves it for dead. Ham-fisted, heavy-handed, this one is as tone-deaf and ridiculous as it gets. Once again BatYarn goes in a direction no one else would have even considered.

Has any comic strip ever used the word “lump” more than FW has? “Maybe For Better Or For Worse” did, but most of that strip’s tragedies weren’t cancer related, so I dunno. If it’s “Crankshaft” I definitely don’t want to know.

What’s Behind Door #5?

Link To Today’s One

What the f*ck is she talking about? Does she mean the movie itself, the book being translated into Spanish, the news that the movie won’t be shown anywhere, or what? For the time being I will assume she means how he “feels” about “Lisa’s Story” itself, because “Delicate Genius is deeply conflicted about sharing personal details of his life” is more or less the entire point of the “LS” arc, but given Batiuk’s uniquely non-linear “storytelling” style, who the hell really knows. She could be talking about the crab puffs or the ketamine she slipped into his drink or God only knows what.

And Cayla’s slow descent from “character” to “caricature” to “prop” continues unabated today, as BatNard couldn’t resist throwing in a touch of that patented “female = jealous” trope he enjoys so much. “GASP! She’s going into that room to talk to my HUSBAND…ALONE!!! I hope SEX isn’t involved!”. And while I’m braying on and on about shitty, poorly-developed female characters (again), there’s Marianne Winters, the beautiful twenty-something movie star with the small-town heart of gold, about to confide in her dear friend Les Moore, who didn’t even want her cast as Lisa in the first place. Luckily for her, she won him over with her pitch-perfect Lisa-isms thus immediately putting Les at ease to a point where he chose to allow himself to befriend her and not dismiss her as another cheap Hollywood phony like he initially assumed she was. Another believable and convincing female FW character and not at all indicative of far bigger and way weirder issues that are just too icky and disturbing to address at any length today.

Si Habla Lespanol?

Link To Today’s Strip

Only two languages? How incredibly humiliating for poor, poor Dick Facey. It’s all just another burden Les has to bear, the price he’s being forced to pay for bearing his innermost soul and so forth. Now I’m not a big-shot professional author, so I can’t say for sure, but it seems to me that getting your book translated and published in Spanish would be a pretty big and possibly even lucrative deal. But, as we know, the bearded dick with ears cares not about wealth or fame or notoriety or success, as demonstrated by the obnoxious way he tilts his stupid beard in panel three as Marianne futilely attempts to placate and pander to him. What a dick.

Before They Make Me Run

Hope everyone’s enjoying a nice Labor Day Weekend!

So Les is back in Westview for the Lisa’s Legacy Run. And Mason, Cindy, and Marianne surprise him by showing up. And “Cindy is shooting footage of us running the race today…” For use in the movie? Will Marianne and Mason be running in character as Lisa and Les? Cindy’s a cinematographer now? Wouldn’t they need permission to shoot? And two movie stars and a former network news anchor are just hanging out, not attracting attention from anyone beside Les. Such disorienting plot “developments” have been Funky Winkerbean‘s stock in trade since mid-Act II. Let’s talk instead about the deteriorating draftsmanship in this comic strip.

The only modification I’ve made to this panel was to remove the dialogue balloons, or “word zeppelins,” in order to allow us to better appreciate this Mount Rushmore of melting faces. Les suffers the least, as his goatee in profile always looks like shit. Mason sports an even goofier than usual expression. Cindy is droopy-eyed, and Marianne’s head is on a stalk.

Tom Batiuk writes and “inks” FW, but for the last two years the strips have been penciled by Batiuk’s ol’ Kent State pal Chuck Ayers. Ayers has partnered with TB in this way since the mid 1990’s, in addition to drawing Crankshaft for 30 years. In March 2017 Ayers gave up both jobs to pursue other interests, but returned following the tenure of Rick Burchett, who turned out some of the most horrendous, slapdash, off-model draughtsmanship since another noted comics artist, John Byrne, was at the drawing board.

Ayer’s Crankshaft strips always seemed to me to be much better and more naturally drawn than Funky Winkerbean. And the aforementioned Messrs. Burchett and Byrne were renowned, more-than-capable comic book artists. I’m bringing all this up because I wonder if a requirement of working as Tom Batiuk’s penciller is having to “dumb down” one’s ability closer to Batiuk’s level. In this way, the guy who got laughed out of New York by Marvel and DC gets to hire real artists, and then pin clip their wings.

Fuel for Thought.

Link to today’s strip

And here it is. We’ve had to suffer through an entire week of Les whining to Marianne about one woman who died at least 15 years ago in strip time (Edit: twenty-three, ED), while the world is literally burning around them. As day turns to night with nary a word from Cindy, Masone, Pete, or Mindy.

You people have been saying it all week: Marianne has been blandly listening to Les whinge about his manpain, instead of worrying about friends, family, coworkers, or her own property. The girl had more going on for herself when she almost threw herself off the top of the Hollywood sign.

And all so Marianne can watch some video tapes that Batiuk will, no doubt, forget were transferred to digital years ago. So many problems with this. But two stick out in my mind.

One, why didn’t he let her or Masone watch some of the tapes to begin with? It’s implied that some tapes are very private and others are meant for more public consumption, as seen in this strip from Darin’s birthday. Why did you ever think of this as an all or nothing thing?

Two, are you now going to let her watch all of the tapes? Even the tapes that weren’t meant for you? Have you seen the tapes addressed to Summer directly? Or the tape specifically for CauCayla? Are you prepared to override the rights of Lisa, Cayla, and Summer, to have their own private messages remain private?

Who are we kidding? Of course you are. The sum total of everything Lisa ever was or wished is now yours to use, abuse, and change however you see fit. You can tell yourself that you think Lisa would have wanted you to share material that SHE SPECIFICALLY TOLD YOU IN PERSON was private. Anything so Marianne can have important moments like this inform how she plays Dead St. Lisa.