Ticking Away The Moments That Make Up A Dull Forty-Six Years

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Sigh. Like five interminable weeks wasn’t “enough time”. This might be BatNard’s way of bringing Pete and Boy Lisa back into the Westview fold, although I don’t know of anyone who’s been clamoring for that to happen or what difference it could possibly make, unless he’s planning some sort of sick “Crankshaft” crossover wedding with that Mindy chick or something…(shudder). I certainly wouldn’t put it past him.

I like how business in the Funkyverse moves every bit as slowly as everything else does. It took well over a month to just get to Chester’s pitch and now we’re forced to wait some more while these two morons ponder their decision? Not that I can entirely blame them for being disoriented and confused, as Chester’s entire pitch consisted of a comic book nostalgia rant and an old stock photo of an atom bomb test blast.

This whole stupid arc is way funnier if you just substitute pizza for comic books. Pete and Boy Lisa are busy in Pizzaland writing the new Pizzaman movie when wealthy pizza mogul Chester Pizzamore contacts them about a new pizza proposal. Chester, who became wealthy after stealing Golden Age pizzas from the pizzeria where he worked as a boy, is sick and tired of these grim n’ gritty newfangled pizzas and wants to bring back the pizza he enjoyed as a young boy, without all the fancy toppings and calzones and deep-dishes and etc. Just good pizza where you have no problem separating the crust from the slice. Pete and Boy Lisa become confused, then take a break for lunch. See? It’s a vast improvement.

Money is The Root Of All Comic Books

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At long last FW is finally addressing “real life” concerns, like the ones “young people today” face each and every day. No, no one was diagnosed with anything but Pete and Boy Lisa have, for the very first time, expressed an actual plausible concern. Mark this day down!

Chester is a somewhat contrary fella there, you know? Just two days ago he was cracking wise about abandoning the lifelong principles his dream was built upon if it’d be profitable, but today all of a sudden he’s not in it for the money. It can’t be both there, Thomas. It’s also sort of jarring to see Chester…a multi-millionaire, mind you…expressing shock and surprise when Pete and Boy Lisa dare to inquire about money. He literally had weeks to prepare for this meeting, did he seriously believe money wouldn’t be mentioned? What a dolt. As I mentioned a few days ago, the inconsistency of the Chester character indicates that BatYak is all out of ideas here and just throwing things against his whiteboard to see what (ahem) sticks.

I am assuming that after they take the Atomic Comics gig and Chester assumes the Brady role they’ll both end up toiling in misery in the depths of Chester’s comic book mill, only pausing to daydream about what it must have been like to be a screenwriter and storyboarder “back in the day” and the entire Pete and Boy Lisa saga will finally come full circle and end up butting its head on its own ass into infinity like some sort of really dull perpetual motion contraption that’s nothing but a monument to its own uselessness. Or maybe Atomic Comics will be a huge success and Pete & Boy Lisa will win an award made of Belgian chocolate, then fly back to Ohio for some delicious pizza. Anything and nothing is always possible with FW.

The Dicey Shipwreck Hits Bedrock Or Something

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Sigh. Even BatYak’s own personal comic book fantasies are full of indecision, waffling and confusing metaphors. Our dimwitted heroes are clearly unimpressed by Chester’s moronic idea, which makes one wonder why they didn’t just discuss this over the phone or via email or text or something instead of driving all the way to Ohio for no real reason. I’m slightly surprised that two guys who still play with Flash treadmills and “dollies” are so pragmatic about this, as it’s somewhat out of character. But something that’s very much IN character is the way BatHack’s personal fantasy world is every bit as boring and overly-chatty as FW is.

Who “says” when you build a ship you’re building a shipwreck? Remind me to avoid Batom Inc.’s ship-building division, please. I mean wow, talk about a negative approach. When Funky builds a pizza is it standard to expect a few hairs in it? When Les teaches a student are we to expect that student to be an illiterate dolt? When Masone makes a film should he expect it to bomb horribly? When a comic strip writer puts together a five week long arc about starting a new comic book company should it culminate with the lead characters shrugging indifferently? The constant smirking and wry wordplay belies the sick and disturbed darkness at the heart of this strip. These people, always with the dropping shoes.

Hello Mister Kettle Black, My Name Is Pot

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“Gratuitous deaths”…LOL! Act III was built on gratuitous deaths…well, in fairness it was only one. But still, it was REALLY gratuitous. Sigh, they don’t kill ’em off like that anymore, no siree they don’t.

Well, for starters this strip marks the exact moment Batom lost interest in the premise. Chester is already cynically compromising his principles regarding his lifelong passion, which means BatNom has run out of dialog already, which means we’re probably in for a week’s worth of premise rehashing followed by a panel of tentative pondering followed by a ten month hiatus before this story reappears out of nowhere like a persistent rash. The nonsense about the comic books of yore was the entire point of this five week trudge, now that he’s there he’s all out of ideas and I guarantee there aren’t any in the forecast either.

Speaking of comic books of yore, what era of comic book history is BatChest babbling about here? Is he talking about the comic books of the 1950s specifically here or is this era of comic book history just a hypothetical fantasy thing that never actually existed? Maybe if he wasn’t so f*cking lazy he could have fleshed out the 1950s style comic book title he already created instead of wasting a month and a half on a pointless boring rant about how comic books were so much better in the 1950s but those who can do and those who can’t complain, I suppose.

We Can Be Zeroes Just For One Day

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Yes, because these NEWFANGLED COMIC BOOKS TODAY always insist on blurring the lines between heroes and villains with their complicated dark, grim and gritty characters and (zzzzzzzzzzz). Five full weeks to introduce the premise and he’s already repeating it…some things never change. That look Pete & Boy Lisa are exchanging seems to represent “skepticism”, although it could just be shitty artwork. There’s just no way of knowing until next Tuesday when he (most likely) finally stops rehashing the premise.

I mean hey, if Chester wants to squander his fortune on comic book nostalgia that’s his business but honestly this entire “plan” seems quite squirrely to me. But hey, sure, go against the grain and sell comic books no one likes because if Starbuck Jones is any indication these “Atomic Comics” will be worth a mint thirty or fifty or seventy years from now, pretty much exactly when Skyler will be awash in his own comic book nostalgia, yearning for the days when he’d hide in the attic with his phablet reading digital copies of his favorite Atomic Comic titles, like “Meek Moon Mile” or “Space Penis” with a few fat-free granola cookies and a glass of almond milk on the side. If he’s really lucky he’ll find his old SJ decoder SD card too, but one thing at a time for now please.