I Get Carried Away

Link to today’s strip.

As I mentioned yesterday, we really have no timeframe for the events in Crankshaft and Funky Winkerbean. I, therefore, find it funny to think that Lillian’s been on the job for only a day or two and has immediately been proven unsuitable.

I think that’s the first time I’ve found the strip “funny.” So, good job.

I don’t know why Batiuk insists on doing these terrible crossovers. Scratch that–I do know why. It’s to get people interested in reading the other strip. The thing is, if you’re telling people you’ve got something else that they may like, that something else better not be Crankshaft.

The Old Rugged Crossover

Link to today’s strip.

So, if you’re lucky enough that you don’t follow Crankshaft, you’ll have no idea who these people are or what’s going on.

I rarely look at it; Batiuk is insufferable enough when he’s trying to be serious, but he’s unbearable when he tries to be funny. The short version is that a church organist died right in the middle of a service, and the much-loathed Lillian was drafted as a replacement. Although based on today’s thing, it looks like she’s not so much a replacement as a downgrade.

My question is this: when we see Crankshaft in Funky Winkerbean, he’s a barely sentient pile fastened to a wheelchair in the assisted living home. In Crankshaft, he and Lillian appear to be roughly the same age (if anything I’d say she’s older). So why isn’t she in Bedside Manor in a similar condition? “Well, we’d have no story.” That’s no excuse, we haven’t had a story in years.

Let me say, too, that the timeline is very confusing here. The “organist dies” bit just happened in Crankshaft. I suppose it’s possible that today’s strip is happening years later, but the scheduling of the two strips makes it seem like it’s all happening at the same time. Not even a fig leaf of dialogue, “Well, I’ve been the organist now for ten years” or something (I don’t claim to be a writer). If you’re going to be confusing, it’s a good idea to have something of substance to make it worthwhile to unravel.

“Lillian” sure does have a lot of squiggly L’s. Good thing her last name isn’t Llewellyn.

Woo goo away, please!

We have Thatsnought Hewmore to thank/blame for today’s strip. Because HE demanded it! And true to his word, Pete didn’t write a crossover until Atomik Komix had more than four titles… they’ve had FIVE since the addition of Wayback Wendy.

The Comics Code Authority is not exactly the heaviest of punching bags in 2020… but it’s an especially odd one for Atomik Komix. This is a company founded on replicating Batom Comics and its Silver Age shlock in every possible detail… Chester hates that non-CCA guided new stuff. Batom Comics is said to have existed pretty much entirely in the CCA era and all of its titles would have adhered to the CCA’s guidelines. Go look at the Batom Comic covers that appeared every other Sunday before Atomik Komix happened, they’ve all got the CCA stamp.

That ends my latest stint writing this pap up. My honest apologies for not noting Son Of Stuck Funky’s 10th anniversary on April 9. I was and am quite honored to have been blogging when this site moved from its first decade into its second. Our esteemed founder, TFH, takes the helm for tomorrow’s certain tire fire and many thanks to him for launching this ship and picking up the survivors of the original Stuck Funky site. This site has picked up so many more folks over the years and has become one of the internet communities I value most. It has survived cease-and-desist letters, Comics Kingdom’s ever-changing strip link addresses, and TB’s best efforts to drive us to madness. I say “here’s to another decade”, because I cannot face whatever this strip has in store next without you all.

Crossover Parma

Well, at least the math is correct in today’s strip. Atomik Komix does indeed have only four titles (The Inedible Pulp, Rip Tide: Scuba Cop, Atomic Ape, and The Girl Scorch), all of which TB has lovingly rendered in big splashy Sunday strips… via guest artists.

What doesn’t add up is this need for more than four titles to do a crossover. TB does it with three comic strips, one of which hasn’t been printed in nearly 30 years. Even a non-crossover strip like this one has crossover elements – Pete is the child of John Darling character Reed Roberts. I suppose none of this is “Mega-Mind-Blowing-Everything-Will-Change”, but nothing that Pete and Durwood could come up with would be either.

Dork(s) And Mindy

Today’s strip is finally up, and it looks like we’re in for another week of the Ratty Atom Bullpen… or maybe it’s a Pete and Mindy week… or maybe it’s a descent to the Nth circle of hell (one can only hope).

So Mindy has just seen Pete strolling on the Flash treadmill for the first time. If she’s still dating him in tomorrow’s strip, we can confirm her standards are even more depressingly low than once though. Could have had Mooch Myers… Could have. *sigh*