Well, I guess the dream is over, as Les pivots from a dream that kept him tossing to now note how he’s “thinking” about Frankie. Maybe Batiuk doesn’t know the difference between dreaming and idle musing, but I’m pretty sure the latter is how he gets all his “ideas.” But look at Cayla in panel one! That’s the face of someone who is soaked in regret. I’ve never seen weariness, God-am-I-sorry-I-asked, Please-Stop-Talking so well portrayed, so kudos to Ayers again.
And of course that’s Frankie in panel three. What exactly is he going to do? Demand that he be in the movie, or get money from the movie, because…reasons? He has no relation to anyone still alive other than Dullard. He certainly won’t have anything he can use as leverage over Les. If the movie was “Dullard’s Story” he could, perhaps, claim to be an integral part but it isn’t so he can’t. I am genuinely curious as to what kind of scheme he’s going to launch, despite the fact that Batiuk always disappoints.
I guess since the movie version seems to be moving along nicely, Batiuk needed a villain and, well, why not Frankie. More Hollywood types whining that “Lisa’s Story” won’t play in China might have been too much repetition, even for Batiuk (hard as that is to believe).
Actually going to commend the artwork today, relatively speaking. The ruler did a lot of the work, but there is good attention to detail for once. In the background at least. Les is drawn as a sightless abomination talking out of his ass, but I’m guessing that’s Ayers subtle caricature of him. And putting up the porch swing in spring not only sets the season, it’s a subtle callback to the strips way back in June 2011 when Cayla and Les confessed their love on it. Batiuk may forget how many kids his characters have, but he seems to always remember that Les has a front porch swing.