The Death of Sense.

Link to Today’s Strip.

Comic Book Harriet, back in action. Ready to dig through the comic muck of this Inedible Pulp to, hopefully, stab at the heart of this horrifying nonsense.

First of all, I want to thank Spaceman Spiff for easing us through the shock and awe of the first ‘back from the dead’ soap opera moment I think we’ve had since Wally Winkerbean came home.

While some of you have been frustrated and angry at just how baffling the decision to retcon Phil Holt’s death is, I’ve actually been relishing the absolute stupidity of this arc. Unlike Batiuk’s biffing of Bull’s Suicide, the morally dubious resolution of the Adeela ICE arc, or the callous insensitivity of the LA Fires, the crazy on display here has no offensive real-world victims unless you find it libelous to Jack Kirby, Stan Lee, or Joe Simon.

And today, I finally get the answer to the most pressing question raised by Phil Holt’s ‘resurrection’: did he fake his death, or have a near death experience? Hanging on this question, was the interpretation of this strip from three years ago.

Spoiler Alert: Phil Holt wasn’t already dead.

With the retcon, and the knowledge that Phil was completely fine at the time, there is only one explanation for these ghosts. Darin was imagining Phil and Lisa’s spirits having this conversation as they looked on approvingly at the auction. It was a fantasy that he concocted for his own gratification.

Furthermore, this suggests that every time we see ‘ghosts’ in strip it’s just the daydreaming of a living character, comforting themselves with a lie, roleplaying a no longer possible conversation, or expressing an internal anxiety, sometimes all at the same time.

Like when Lillian was visited by ‘Lucy’ coming back from the grave to lead her on a guilt purging journey of taking an undelivered letter to a demolished building, where Lucy and her old boyfriend Eugene could finally spiritually be together (even though Eugene was still alive at the time.)

Les of course is the worst offender of this. Lisa constantly pops up around him, encouraging him, praising him, agreeing with him, and smiling while watching him make out with his hot new wife.

But even Les seems to realize that this is just him projecting what he imagines Lisa would say. And that Lisa only lives on inside his mind as a fractured reflection of his memory. She sleeps forever, in the oblivion of death.

If I could ask Batiuk a personal question, I would ask if he believes in an afterlife. Because I don’t think he really does. I think he wishes there was something after death, but has been convinced that the only immortality we actually get is the lingering echoes we leave in the hearts and minds of others.

And, in time, those people will pass away, and so then passes even memory. Life has meaning, but only temporarily.

And so all metaphysical experience is really just human consciousness and awareness fractured and reflected back on itself. When we try to conceive of or reach out to God, or dead loved ones, or eternity, the only thing that can reach back is a part of yourself.

Dead St. Lisa was only a part of imagination. She’s no more or less real than that heatstroke robot Funky imagined when running, or Jeff’s Inner Child avatar, or Les’ depression cat.

But, then again, apparently the depression cat is real and crazy old film producers can see it.

And Dead Lisa did call into an airport and talk to customer service, then Les, then called in a phony bomb threat…

The only evidence of life after death in Funky Winkerbean.

Strap in folks! It’s gonna be a fun week!

Those Were The Days

So why was there such animosity between these two? They’re agreeing they had fun and their time together was the best time of their lives, so why was Phil so bitter when he came back from the dead? Batiuk’s writing always seems like it’s at the rough draft idea, where he just comes up with a premise (former coworkers are reunited, conflict ensues) and just leaves it there without developing it all. Was it all because Flash took credit for Phil’s ideas? It would have been nice to have shown that, once, rather than to have Flash praising Phil before he even knew he was alive again.
Is it me or do the dimensions of that table seem off? Looking at the second panel and the last panel, I don’t see how everyone can be in both panels. Unless Darin is climbing into Ruby’s lap, which wouldn’t surprise me, and would explain why Jessica never travels with him.

Well, I’m glad I didn’t get another two weeks of Dinkle, at least.  ComicBookHarriet takes over tomorrow!

Tears of a Clown

What is it with Batiuk and comic fans? Clearly what this guy is saying is supposed to be inspiring and insightful, but he’s been portrayed two days straight as pure nerd stereotype. He apparently can’t stand up straight and doesn’t own a comb (or probably shampoo). Batiuk has done this multiple times, where he tries to act like comics are the highest form of human culture, but then craps all over their fans and collectors.  I mean what this guy is saying is moving Flash and Phil to tears, I don’t know why he had to be portrayed as a background character from The Big Bang Theory comic shop scenes.
Oh, and if they “had something to say”, what exactly was it? I am doing to know.
I’m also sick of everyone in this strip only referring to comics as “books”, rather than “comics” or “comic books”.

Let Mr. Sponge Be Your Guide

Yay. We’re now at the part of the arc where one fictional character is telling other fictional characters how great they are, without giving any hint of a reason for why they feel that way. I’m sure I’ve probably said this at least ten times, and I know many other people on here have said it, but it really does amaze me how Batiuk has shown basically nothing of these comics, despite Funky Winkerbean itself basically revolving around them at this point.
I really do not know what the point of this is. So two minor characters produced comics, decades ago, that one person apparently centered his entire life around? How? “When the Amazing Mr. Sponge used his super sucking powers to vanquish Mr. Tea, that inspired me to become a janitor?” I like comics more than probably 99% of the population, and at times have found inspirational material in them. But saying they’re your “north star guiding you through life” is just pathetic, especially when you realize these are cheesy Silver Age comics.
Oh, and notice the speaker is addressing “you two”. I wonder if Ruby is still standing off to the side, or if she’s wandered back to the airport by this point.

Ownly the Lonely

It’s possible I’m forgetting this, but I thought Atomik Komix published things like Amazing Mr. Sponge? Didn’t Chester buy the rights to the old Batom titles and is making new comics of them? So therefore they’re not creator owned at all? It’s possible I’m confusing this, but I thought that’s how it was.
I like that apparently Ruby literally had to give up her seat to Phil. She’s being honored for her career achievements, but a random guy shows up and steals her thunder and her chair. This is extremely on-brand for Batiuk.

Oh, and Phil hated his career, and producing comics is misery.  What else is new.