Good old horndog Morton, fully recovered from his advanced Alzheimer’s disease and as randy as ever. Gross. I honestly forgot all about Melinda, who apparently still lives with Funky and Holly in Pizza Mahal. And Cory and Rocky…apparently they’re still characters in the strip. Who knew? Other than the fact that they’re engaged we really know very, very little about Cory and Rocky. Comic books, pizza, the army, engaged…and that’s about it. They’ve had one or two arcs at most over the last six or seven years and those were when he first came marching home.
Where do they live? Where do they work? What do they do? Why are they even in the strip in the first place? Continuity? That’s, uh, “inconsistent”, let’s say. As far as Morton is concerned I don’t want to belabor the point as I’ve ranted about it many times, but his transformation from “advanced dementia patient” to “sassy and adorable old coot” is one of the more offensive things BatYarn’s done over the course of Act III. He milked that Alzheimer’s arc for a shitload of pathos, it really takes a lot of balls to just suddenly drop it and have Mort jamming with jazz combos and hitting on elderly women.

Tom Batiuk has frequently expressed, in his work and in interviews, that even though we call them “comics,” they don’t necessarily have to be “funny.” “I don’t see why a comic strip can’t carry the weight of substantial ideas,” he