Tag Archives: Funky’s house

Jumping’ Jack Flashback

Today’s strip was shot in Kodachrome… despite being set even further back in time than this past week’s sepia-toned historical revision. Really sets the mood for imagined fiery death, doesn’t it?

You would (not) be surprised at how often TB goes to the well for Holly’s Act I flaming baton trick. It wouldn’t shock me if it has appeared as a gag in Act III more often than it ever actually did in Act I. But hey, after this past week, I’ll take some Sunday Funky-Holly filler, even if it involves flaming batons.

And with that, I cede the podium to Comic Book Harriet, a master of both Batiukverse history and the entertaining anecdote. I expect we will enjoy a good bit of both from her in the coming weeks.

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What Weekend Is It?

As always, it’s impossible to follow up the amazing posts of CBH, but here I go.

I’m guessing Rocky is carrying on Crankshaft’s illiteracy? Because I don’t know why Cory is reading that sign out loud if she can read it for herself. It’s also weird because it’s easily legible for anyone reading the strip, so there’s nothing at all added by him reading it. Of course the joke is “Cory’s mom is excited for him to get married” which I don’t think is a joke or really worth spending a day of a strip on, but that’s Batiuk for you.

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A Long Expected Party

Link to a strip that would have been cute if Holly wasn’t giving a stink face in the last panel.

Tom Batiuk,

My sincerest and most heartfelt congratulations on 50 years of Funky Winkerbean.

It may not be perfect… but flawed or not, you’ve created a comic strip that has entertained people for decades.

Even if it wasn’t always in the way you intended.

Thanks for the laughs. Thanks for the memories.

Happy 50th Anniversary, Tom.

Stay Funky.

CBH

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Odd Man In

Link to another boring nonsensical strip that I still kind of understood because I’m always asking my housemate and best friend if she wants to go to the store with me but man was this week awful with maybe one almost joke and five days of pointless observation and yes this was supposed to be one long run-on sentence for comedic effect.

Full disclosure: Until I read through the Vintage Funky Winkerbean, I assumed Roland was black. I realized my mistake when Derek popped up, asking Les about why ‘brothers and sisters’ weren’t being covered by the school paper, looking like the lost sixth Jackson brother from the Jackson Five cartoon.

Ooh, ooh, Derek, (don’t want you back)

So Roland’s poofy hair was just an Art Garfunkel style jewfro, and Derek is the strip’s first black character. Which other characters seem to only notice and comment on occasionally.

In all of his appearances, there’s only a handful of strips where Derek’s overtly concerned about racism. And it always comes across cringy af. Now-a-days this is the sort of material that gets you twitter cancelled.

A modern activist would call this gaslighting.
I think the joke here is that the computer scheduling has more power than the school board and admin.

Other than these cases, Derek is written as ‘one of the guys’. Sometimes he spouts off Roland-esqe general activist talking points for a laugh.

His main character trait is this sort of weary detachment. In the four years of strips released, I think I’ve seen him smile twice. It’s like, somehow he knows. He knows that he’s stuck in Funky Winkerbean. And the best he can hope for is to feel slightly less than dead inside.

Like Livinia, unspoken identity politics hamstring his range. Because Batiuk wants Derek to be a positive portrayal of a black student, he’s never shown getting into trouble with the principal or being ignorant. He never asks the dumb question. He is the one Funky Winkerbean character that is never the wacky one spouting off inanity. He is all grimace and side-eye.

When Derek delivers the punchlines, they’re clever observations that reveal intelligence, not obliviousness like Batiuk will use for Les or even Funky.

Derek is still showing up in Vintage Funky Winkerbean through 1976. Most recently watching TV with Crazy Harry on 4-10-76.

I doubt he’s going to completely disappear for a while, since he fulfils an important diversity position. He’ll keep showing up until a more gimmicky black boy is introduced, or until Batiuk forgets to remind his audience he’s not racist. In September of 1975 a black female student was introduced, Junebug Jones. She and Derek are dating, and she becomes a cheerleader. Her ‘unorthodox’ cheering strategy is another running gag.

I’m of two conflicting minds on Junebug. On the one hand I wonder if she plays into the lazy stereotype of black girls as loud, aggressive, and tactless. On the other hand, I love seeing a lady with some backbone.

Derek and Junebug, one of the first couples in Funky Winkerbean. She might not have liked the odds, but she should have placed her bets. By the 1998 class reunion arc, they are confirmed to be married.

Crazy/Holly: the ship not taken.

And by the 2008 reunion they have grandkids!

Don’t worry Funky, I’m sure Corey and Rocky will give you some grandkids eventually. Maybe. If they get around to it.

Junebug shows up again in 2015, as part of The Upcoming Reunion planning committee.

Note: Except for poor Barry Balderman here, none of these other people are actually seen at The Time Pool reunion. I like to think they bailed when they realized what a shitshow it was going to be.

So, really, despite all his grumbling, it seems like Derek and Junebug had it pretty good for Funky Winkerbean characters. They escaped the plot before the Act II drama hit, and every subsequent cameo appearance has only reinforced their happy ending.

He who laughs last…

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When Everything Goes Pear Shaped.

I know I promised you guys the distant past. But first, a brief timeline of the last couple years.

December 2019 to March 2021: Life in Westview proceeds as normal; people self-medicating with comics to stave off the usual nihilistic despair. No mentions of pandemics, lockdowns, masks, or quarantines.

March 2, 2021: Les Moore mentions a previously unrecorded flu quarantine from when Lisa was undergoing breast cancer treatment. A week of retrospective strips on the ‘famous Flu Epidemic of 2007.’

April 2021: Funky Winkerbean attends an Alcoholics Anonymous meeting and begins blathering about ‘last year’s pandemic’. It’s as if from a moment in the future the past has been altered, Flashpoint style, so that a pandemic occurred ‘last year’ but is mostly over.

September 30, 2021: Holly Winkerbean breaks her ankle. During her time in the hospital we see people wearing masks in the present, though no one at the football game was masked. (Consistent with late pandemic trends.) She begins a recovery that sees her using a pair of crutches through at least January.

TODAY: Holly Winkerbean is implied to have broken her ankle at the beginning of the pandemic.

You know, when I did the Funky Award for Most Puzzling Continuity Question, I really figured it would be a one time deal, since many of the continuity snarls had been kicking around for a while. I never imagined that by MARCH 2022, we would already have three or four potential nominees.

But Batiuk is no stranger to continuity snarls. They cropped up in his VERY FIRST month of Funky Winkerbean.

The fifth ever printed Funky Winkerbean strip, 3/31/72 introduces Fred Fairgood as the school counselor.

And yet, the next time we see him, 5/9/72, he introduces himself as if he is just arriving.

And that isn’t the only first month snafu. On 4/5/72, we see first see Les working on the school paper, an early running gag.

And a few weeks later, he announces to Funky that he is applying for the position.

Now, both of these are understandable within the context of trying to launch a strip. You’ve got (I’m guessing) a few months of strips prepared, but then you want to lead off with your best and most easily digestible material. So strips are put out of order.

Batiuk actually has some good insight into why starting a strip is difficult.

Starting a comic strip is a unique proposition that requires a slightly different skill set from the one you’ll hopefully be using a few years later.

When I was just beginning with Funky, I read a Peanuts strip that completely frustrated me. The strip in question had come after a week during which Linus had had his blanket taken away, and he was lying on the ground shaking as he went through withdrawal. In the second panel, Snoopy walks up wearing his WWI flying helmet and scarf. He pauses to look down at Linus shaking on the ground and then walks off saying, “Poor blighter, his kind shouldn’t be sent to the front.”

It was an elegant strip that Schulz had taken twenty years to set up. Twenty years in which he had developed the theme of Linus and his blanket, developed the character of Snoopy and Snoopy’s fantasy world as a fighter pilot in WWI—all so he could create the opportunity to eventually dovetail them into that one perfect strip. Twenty years that I didn’t have behind me in those first few weeks of Funky.

Instead, what you have in a beginning strip is a great deal of expository dialogue trying to establish your characters’ names, personalities, and situations. Oh, and have them say something funny. I’ve often likened it to a stand-up comic who has to win over new audiences each night with a series of individual jokes.

Later, if he’s lucky, he moves on to a sitcom where the situational humor allows him to extend the comic narrative. Finally, if he’s really lucky, he gets to make movies, where there’s room for the subtleties of behavioral humor. It takes a long time to establish your characters and develop their personalities.

From the introduction to The Complete Funky Winkerbean Volume One

We can debate all day if he ever established his characters or developed their personalities into something consistent, but the above does, I think, point to one reason that Funky Winkerbean maintains it’s ironic audience. History. Any one year of Funky Winkerbean is mostly unremarkable. If it had only lasted a decade, any decade of its lifespan, it wouldn’t catch our attention.

But 50 years of this? 50 years of the Cronenberg-esq transformations of these strange sad-sack characters within a single universe, generated by a single mind.

When Marianne Winters pulled two VHS tapes out of her purse last week, that was the awful entrancing Funkyverse flipside to Snoopy as the Red Baron pitying Linus. It was a nauseating non sequitur built from years of disdain for a fictional character compounded with decades of facts and moments being referenced incorrectly.

Oh. And Batiuk was already creating inexplicable continuity biffs all the way back in 1973. Only a year after Les announced that he had applied for the position of school paper editor, the entire thing is retconned to being recruited by the school principal.

Never change, Tom. It’s too late to start.

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