The indignities just keep piling up for the late Mary Sue, all because she didn’t deign to satisfy Les Moore’s disgusting adolescent urges back in high school. Too bad for her, as if she’d have put out for Les she’d probably still be dead, but at least she’d be a venerated martyr and not the subject of this droll wry funeral banter courtesy of Dick Facey and his fat elderly pal. But that was her choice, and now she has to live with it. Well, not “live”, exactly, but you know what I mean.
It was mentioned in yesterday’s comments a few times so it’s not an original thought, but who happens across the obituary of an old high school classmate, then decides to be-bop and freestyle all over their funeral? A self-absorbed, depraved, bearded dick with ears, that’s who. This guy carries around his old high school grudges like they’re herpes.
“Hey, old pal from high school! Know who just died? Joe Blow, our old high school classmate we didn’t know very well.”
“That f*cking guy cut in front of me in the cafeteria line once. Let’s go to his funeral and mock him.”
Seems pretty harsh to me. It’s almost like he’s embarrassed about those old Act I “Mary Sue Sweetwater’s perfect bod” strips and wants to atone for them by utterly destroying Mary Sue to the point of actually killing her off, which again, seems pretty harsh to me.
Oh yeah, Mary Sue Sweetwater. She was everyone’s dream fantasy girl back in high school, then she got frumpy and fat, and now she’s dead. And now Les is at her funeral, talking to Funky about how her death affects him. This sure seems familiar. I have to assume that BatYam’s high school memories are nothing short of harrowing, given how much he enjoys these revenge arcs, where Les dances on his old high school foils’ rainy, windswept graves. Les wins again.
I’m just relieved that it’s not comic books again. It says a lot about FW when you’re actually pleased to get an arc that’s set in a cemetery. The rain, the windswept graves, the depressing morose banter…I feel like we’re home again.
I have no idea what Holly means in panel two. Is she on her knees a lot? Does she scrub a lot of floors, or is her Dorf impression hugely popular at parties? When one says “I’m on my feet a lot” it tends to mean “I’m very busy.” I don’t know the corresponding meaning for knees.
Panel three is the real baffler. I really have no idea what she means. It’s framed as if it’s a punchline, but I cannot find a trace of humor in it–or anything sensible. Her knees want her to die so they can rest? Is that the joke?
Proof positive (as if any more were needed) that this is never touched by an editor.
Hope you all enjoyed yesterday’s respite from the boringly toxic (or rather, toxically boring) Melinda-Holly relationship, because we’re back for (checks calendar) WEEK 3?! of it in today’s strip. Things between these two are so bad that Holly will ignore good advice that is widely known by nearly every adult who has ever engaged in athletic behavior just to spite her nagging mother.
This strip has everything! Needless exposition! Falling leaves! Absolutely nothing likable! References that would have been topical 3 decades ago! References to death! And more word and thought bubbles than you can shake a baton at!
Comic Book Harriet, back in action. Ready to dig through the comic muck of this Inedible Pulp to, hopefully, stab at the heart of this horrifying nonsense.
First of all, I want to thank Spaceman Spiff for easing us through the shock and awe of the first ‘back from the dead’ soap opera moment I think we’ve had since Wally Winkerbean came home.
While some of you have been frustrated and angry at just how baffling the decision to retcon Phil Holt’s death is, I’ve actually been relishing the absolute stupidity of this arc. Unlike Batiuk’s biffing of Bull’s Suicide, the morally dubious resolution of the Adeela ICE arc, or the callous insensitivity of the LA Fires, the crazy on display here has no offensive real-world victims unless you find it libelous to Jack Kirby, Stan Lee, or Joe Simon.
And today, I finally get the answer to the most pressing question raised by Phil Holt’s ‘resurrection’: did he fake his death, or have a near death experience? Hanging on this question, was the interpretation of this strip from three years ago.
Spoiler Alert: Phil Holt wasn’t already dead.
With the retcon, and the knowledge that Phil was completely fine at the time, there is only one explanation for these ghosts. Darin was imagining Phil and Lisa’s spirits having this conversation as they looked on approvingly at the auction. It was a fantasy that he concocted for his own gratification.
Furthermore, this suggests that every time we see ‘ghosts’ in strip it’s just the daydreaming of a living character, comforting themselves with a lie, roleplaying a no longer possible conversation, or expressing an internal anxiety, sometimes all at the same time.
Like when Lillian was visited by ‘Lucy’ coming back from the grave to lead her on a guilt purging journey of taking an undelivered letter to a demolished building, where Lucy and her old boyfriend Eugene could finally spiritually be together (even though Eugene was still alive at the time.)
Les of course is the worst offender of this. Lisa constantly pops up around him, encouraging him, praising him, agreeing with him, and smiling while watching him make out with his hot new wife.
But even Les seems to realize that this is just him projecting what he imagines Lisa would say. And that Lisa only lives on inside his mind as a fractured reflection of his memory. She sleeps forever, in the oblivion of death.
If I could ask Batiuk a personal question, I would ask if he believes in an afterlife. Because I don’t think he really does. I think he wishes there was something after death, but has been convinced that the only immortality we actually get is the lingering echoes we leave in the hearts and minds of others.
And, in time, those people will pass away, and so then passes even memory. Life has meaning, but only temporarily.
And so all metaphysical experience is really just human consciousness and awareness fractured and reflected back on itself. When we try to conceive of or reach out to God, or dead loved ones, or eternity, the only thing that can reach back is a part of yourself.
Dead St. Lisa was only a part of imagination. She’s no more or less real than that heatstroke robot Funky imagined when running, or Jeff’s Inner Child avatar, or Les’ depression cat.
But, then again, apparently the depression cat is real and crazy old film producers can see it.
And Dead Lisa did call into an airport and talk to customer service, then Les, then called in a phony bomb threat…
The only evidence of life after death in Funky Winkerbean.
Son of Stuck Funky 