“Here’s a Quarter…

–call someone who cares.”

For the first time since time immemorial, there’s an actual punchline that’s kind of funny.  A mangled aphorism, sure, but so much better than anything ever featured in Shankcraft.

The fact that the rest of it is stupid beyond measure is beside the point.   Reviewers:  “Yeah, I thought the movie was overly maudlin and treacly, the characters were loathsome, the production values are nil, and I was about to give it zero stars, but the quarter-finding scene turned it into a masterpiece of high art.”

I get it, Batiuk, every single trivial thing that involved Lisa is sacred, no matter what did (or didn’t) happen.   It’s all part of some fantastic mosaic of incredibleness and awesomeness and every person alive (or dead) should go out and a) buy the hardback trilogy and b) give Batiuk all the awards that can possibly be awarded.

There’s no question in my mind that Batiuk is winding this thing down.  The endless descents into utter trivia, treated as if they are gifts from the gods; the settling of old scores; the elevation of the hero characters; and the general disinterest he shows in his writing–all these things point to man who has spent his legacy and just can’t care anymore.

When Time Stands Still

Is this today’s strip or the October 26 strip?! No, it is today’s… and it leaves us in the exact same place we were in October. THE. EXACT. SAME. PLACE.

Masone promises a “shopping agreement”, explains that he has to sell Lisa’s Story to some powers-that-be, assures him of his good intentions and that he is making the right decision by letting Masone pursue this stupid movie thing, Les prepares to wait for the shopping agreement in a snit… scene. It’s the exact same thing we got in October with two exceptions:

One, this week of Masone-wants-to-make-a-Lisa’s-Story-movie strips was preceded by a week of Les and Cayla arguing about whether or not they should fly to California to discuss with Masone the fact that he wants to make a Lisa’s Story movie. We wasted this week on repeating the October scenario PLUS the week of Les and Cayla debating whether to take the stupid trip… the trip that could have been resolved with a 15-minute telephone call!!!

Two, this week ends with the unfortunate promise of future strips in which Les takes Masone around New York for some unbearable Lisa reminiscence, undoubtedly griping all the way.

Misery. Sheer misery.

The Winters Of Les’ Discontent

Now we’re getting to it in today’s strip! Finally!

“It” being Les trying to undermine specific elements of Masone’s Lisa’s Story passion project for no explained reason. And boy is Masone going to give Les EVERY opportunity to sabotage the project, inviting dragging him into practically every element that TB thinks exists in the film-making process. It’s a good thing Les has all of those unused personal days

Also, what is Les’ problem here exactly? He doesn’t want Lisa to be played by an attractive and successful actress? Frankly, Marianne Winters seems like a fine choice to play late Act II Lisa based on looks at least. She’s for certain sure a dead ringer for the bewigged Lisa we saw during much of that first bout with breast cancer in 1999.
LisaMarianneCompare

Die or Die Not, There Is No Try

Today’s strip takes a pre-dick-tably maudlin turn. Like we didn’t all know “Les tries to sullenly undermine this dumb movie thing” was going to be the gist of this story arc.

Even if I wasn’t short on time to write this, I’m wouldn’t archive dive to prove that Lisa did or did not say what Les is claiming at some point in time… because I can quickly and easily point to a time when she pretty much said the exact opposite.

The Bland Leading the Blind

Link to today’s strip.

Yeah, yeah, cue the dramatic chord for panel three.  Whatever.

What I’d like to point out is panel one.  Les says he could “see what was coming.”  He’s implying that Linda couldn’t.

But Linda should have.  Like Lisa, Bull had an incurable condition that could not be paused or reversed.  He was going to die, after deteriorating mentally {“a pretty short trip”–Les Moore).  There was no other possible ending.  That he might decide to end it all before wasting away was a definite possibility.

So why couldn’t she see what was going on?  Why did she think working on the car was “therapeutic” and to be encouraged?   Why did she have no idea where he was on the night he died?

I think there’s only one good answer:  because she couldn’t be bothered.  Many here have a visceral hatred of Linda, and it’s easy to see why–she’s basically the distaff Les Moore.  Check out how I’m smirking through my woes.  Oh, I am so beset by the fates, each day a stay in torment.  Oh, and also my spouse has this terrible condition, which has caused me to suffer so.   The entire CTE arc has been nothing but her complaining, first to Les, then to Buck, about all the problems she was going through.  There may have been one or two occasions when she actually sympathized with Bull, but they were so few and far-between that I’m not sure I can say they existed.

Everyone in this strip is a terrible, terrible person.