
I’ve been thoroughly enjoying all of you commenting on the shambling abomination that is Crankenstein’s Monster. It’s horror beyond imagination in the funny papers these days as Batiuk once again drags Lisa’s battered and abused corpse out to puppet around and demands Davis stitch it onto the recycled art patchwork of long dead gags that makes up modern day Crankshaft. Lisa Moore’s been more abused post mortem than poor Elmer McCurdy.
But at least when Les Moore does his dramatic dance of interpretive grief all over her grave, we know that Lisa is well and truly dead.
Continue reading “Post Modern”

