Hey, do you remember that sketch on The Muppet Show where Florence Henderson played the teenage son of a Ronald Reagan Muppet? I sure don’t, and I’ve seen The Muppet Showepisode with Florence Henderson, but apparently Funky does, if today’s strip is to be believed.
I certainly can’t blame Morton for wanting to avoid these two bores the way a teenage avoids his parents. Given that Funky and Holly are back in the car driving who knows where instead of talking with the authorities about locating Morton and about Bedside Manor’s gross negligence, I guess the feeling is mutual.
Over the river
And through the woods, to Morton's
Nursing home we go
Funky knows the way
As he skids on through Copley
In the driving snow
…..
But wait, he's not there?!
As we learn in today's strip
No, he's got a gig
Kinda surprising
That blonde has not mistaken
Funky for Morton
A front desk message?
Who communicates like this?
They're father and son!
OK, to be fair
This weirdness is typical
For this comic strip
If he has a gig
Does that mean we won't have to
Endure skeezy Mort?
Morton the creepster
Has become a Batiukverse
Christmas tradition
If TB is going to procrastinate until 5 minutes before his deadline, as was surely the case with today’s strip, then why can’t I? Yep, I began this post at 10:25/9:25 CT and finished this up right at 10:30/9:30 CT.
Does Crazy even know who Santa Claus is? He seemed genuinely baffled that anyone would mistake him for Santa while wearing a Santa hat and Skyler has had to browbeat him into doing Santa Claus things all week. This is the fourth time in six days.
The great Christmas gift-giver strikes again in today’s strip. No, I’m not talking about Santa Claus or Crazy Claus (or Pete… I would never talk about Pete in this way), I’m talking about the nerd with the polecat on his scalp.
Les, that is a really, really, REALLY weird thing to say while staring lovingly into the chocolate brown sclera’s of your second wife’s eyes. What are you trying to say here? That you’ve realized you’re lucky your first wife died? Because in the end what you really wanted was both a supportive wife and a sob story? The knockout one-two punch that will win you gold in the victim Olympics in performative grieving.
I get the sentiment, it’s a nice sentiment. You’re trying to tell Cayla that you’re content in your life with her. That Hollywood fame wouldn’t have made you appreciably happier because you’re already happy. But, when talking about this to a second wife, as a widower, you should avoid words like, ‘lucky.’ ‘all along,’ and ‘in the end.’
By Cayla’s tired grimace, I can tell what she’s thinking. “I don’t know if he’s insulting me or snubbing Lisa, but at least he sounds happy she’s dead.”
Many of us this week have found ominous signs that the box office failure of Lisa’s Story might not be then end of this endless arc. That a box office bomb can still go on to be critically successful and win awards. And it would dovetail nicely with Batiuk’s sentiments on popular entertainment, for the true beauty of Lisa’s Story: The Movie, to only be admired by a few.
I fear we’re in for a Marvin’s Room deal. If TomBa is going to use anything as a template for Lisa’s Story’s success or failure, it’s not going to be one of the cancer movies of the last few years. It’s going to be from the glory days of weepy prestige drama. The 90’s.
Unfortunately the movie is not about a three headed multi gendered monster wearing a black sweater.
I’d never heard of this film before my cancer movie research of earlier in the week. And after reading the synopsis, and watching the trailer, it is top on my list of movies to never see. But the plot is Batiukian to the max. A movie about sarcasm in the face of disease, death, and poorly portrayed mental illness, written by a man who was himself dying of AIDS.
For 20 years Bonnie (Diane Keaton) has been taking care of her bed-ridden father, Marvin (Hume Cronyn) following a stroke. When she is diagnosed with leukemia, she reaches out to the sister she hasn’t seen for 20 years, Lee, (Meryl Streep), asking if she and her two sons would be tested for a bone marrow transplant. Lee retrieves her older son, Hank (Leonardo DiCaprio), from the mental health facility where he’d been kept since trying to burn her house down, and takes her family to see her sister. Much heartfelt sarcasm ensues. Bonnie’s treatment appears to be failing, but Lee is now comfortable caring for their father.
The movie bombed in 1996, making $12 million on a $23 million dollar budget.
And it got Diane Keaton an Oscar nod for best actress, Meryl Streep a Golden Globe nom, also for best actress, and three SAG nominations to boot.
The box office numbers might be in. But awards season is right around the corner.
Son of Stuck Funky 
