This is just kind of sad, to me at least. Haha, the church choir ruined the worship service because they were so excited to see Dinkle on a small screen. And I really don’t understand how Dinkle’s whole schtick can be that he’s basically a slavedriver but still somehow everyone loves him so much they’re thinking about him in the middle of singing a hymn. At this point I won’t be surprised when this church is renamed Saint Dinkle’s.
And I’ve probably said it before, but whenever I look at an individual comic strip I assume someone is probably reading it for the first time, especially when it’s a Sunday strip. Unless you read this strip obsessively (and if you do, odds are you’re a commenter here), you would have zero clue what’s going on, who “he” is, or why this is supposed to be funny. Honestly, without any context most people would just assume that this is supposed to be some kind of joke about technology becoming so prevalent even a church choir is distracted by it. Not that actually having the context improves things . . .
Tag: choir
Slowly they turned…
Today’s strip is pretty inoffensive, as these things go. It might border on “nice” if we liked a single one of these characters.
Not sure why Funky and Holly look so surprised to see Morton playing the trombone. They know Morton is in this band. They know the band is playing at St. Spires. They walk into the Christmas Eve service hearing the strains of “Silent Night”. Put two and two together…
OK, sure, most of the churches I’m familiar with place both the choir and orchestra in front of the congregation rather than behind, but such a slight difference wouldn’t floor me like a character from the late They’ll Do It Every Time.
Maybe Funky has an excuse, he thinks churches are places to practice driving, but Holly has been depicted as at least a somewhat regular churchgoer.
Grossest In December
OK, I was kidding yesterday about skeevy Morton becoming a December tradition, but today’s strip takes my meanderings seriously. Who is the audience for this? OK, Greg Evans I guess, but who else?
I cannot decide which is more egregious:
- The colorist’s decision to color both Funky’s and Morton’s coats blue (probably because they are just as confused by Morton and Funky’s converging ages as we are).
- The Bedside Manor staff not knowing where five of their residents are.
If you are one of the 17 folks who own a copy of Roses In December or just a really really big Crankshaft fan, you may recall another story where a nursing home lost track of one of its residents. That time the nursing home had an excuse, as Ralph Meckler had kidnapped his Alzheimer’s-stricken wife and took her to Sotheby’s in New York to see his collection of vintage movie posters auctioned off.
Oh This Week, Thou Art Wrong
Oh yeah, the funeral! I totally forgot all about that during last week’s nauseating little detour. Which is unusual, as it was the entire premise of the story. No one else on the planet “writes” like this, sometimes it’s like a weird piece of surrealistic abstract art that means whatever you want it to mean, but you don’t understand what that means, so you just ignore it. Know what I mean?
Anyhow, yeah, of course Dinkle pulled it off without a hitch, because “music” is his thing, you see. Look at him, high-stepping around in his little outfit. I don’t think I’ve ever wanted to kill him more than I do today. The funniest thing about this arc was that the main protagonist, who started the whole ball rolling, was never identified by name and is dead. Again, no one else writes like this.
If This Van’s A-Creakin’, Don’t Come A-Peekin’
“No, no. no. He still looks too friendly and cheerful. I want the reader to see Morton as a malevolent sex machine who’s going to force himself on Lillian whether she consents or not!”
“Uh…OK, I guess. Here, let me cock up that eyebrow by 40% or so and add more sneer…and how’s that?”
“No no NO! MORE sneer! MORE eyebrow! And Lillian should appear frightened, like she knows she can’t say no!”
“Hmmm (sigh). OK (sigh).”
Once again Morton is inexplicably leering in unrestrained lustful malevolence, but what really sends this one caroming over that fine line between gross and disturbing is Lillian’s line about needing to go to confession, which is just completely unnecessary. The guy is supposed to be an “elderly ladies’ man”, not a coercive sex offender. Doing an arc about Morton trying to score a “date” is one thing, but having him luring old ladies into vans is, uh, something else entirely.
I can’t believe he’s actually doing a sub-arc about Morton trying to bang Lillian in the Bedside Manor van. I’m not sure which is more disturbing, the artist’s decision to draw Mort with that demonic leer of unbridled lust or BatYam thinking this is “cute”. In fact, this one is so far “out there” it might be the highlight of the entire year so far. It’s almost like he did this one as a test, to see if anyone was still paying attention.
Son of Stuck Funky 
